Collier’s [v137 #6, March 16, 1956] (15¢, 100pp, 10½″ x 13½″) []
- 6-9 · Appointment with O’Hara · John O’Hara · cl
- 10-13 · A Woman’s Place · Carol Grace · vi; “Here was the perfect home, except for one flaw.”
- 14-15 · Collier’s Credits · Jerome Beatty, Jr. · cl
- 16-19 · Letters · The Readers · lc
- 20-22 · 48 States of Mind · Walter Davenport · cl
- 23-25 · ICBM · Hanson W. Baldwin · ar; “It’s ‘the ultimate weapon’—and Russia and the U.S. are racing to build it.”
- 26-31 · School for Stars · [uncredited] · ar; “Top names, rising personalities, unknowns—all learn at the Actors’ Studio.”
- 32-33 · The Hunters [Part 1 of 2] · James Salter · sl; “A vivid inside story of jet pilots in action.”
- 34-37 · The All-America in College Basketball · Bill Fay · cl; “The court elite, picked by the National Association of Basketball Coaches.”
- 38-45 · What Is Automation? · John Diebold · ar; “New machines mean more jobs, short hours, high production—but not Utopia.”
- 46-57 · The Good Girl, Alas · Mel Heimer · ss; “Virtue is its own reward, they say—but Marcia doubted it.”
- 58-59 · Some Like It Hot · Harrison Forman · ar; “King of spices, pepper peps up almost any dish, whether meat, fish or fowl.”
- 60-65 · Clamor on the Comstock · Robert O’Brien · ar; “Two brash Eastern journalists have a former Western ghost town booming.”
- 66-91 · Teletype · Will F. Jenkins · ss; “A relentless machine matches wits with a runaway killer.”
- 92-93 · “How Do You Start Again” · Howard Cohn · ar; “In time of disaster, the American Red Cross rushes aid—then helps rebuild.”
- 94-97 · A Peck of Trouble · James Poling · ar; “How many poles can a woodpecker peck? Harassed power firms seek the answer.”
- 98-100 · Collier’s Comment: There Can Be Too Much Secrecy · [uncredited] · ed
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