The FictionMags Index

Book Contents Lists: Page 670

Again, Dangerous Visions ed. Harlan Ellison (Doubleday, March 17, 1972, $12.95, xvi+760pp, hc, oa) xi · An Assault of New Dreamers · Harlan Ellison · in 1 · Introduction to “The Counterpoint of View” · Harlan Ellison · is · The Counterpoint of View · John Heidenry · ss · Afterword to “The Counterpoint of View” · John Heidenry · as 6 · Introduction to “Ching Witch!” · Harlan Ellison · is · Ching Witch! · Ross Rocklynne · ss · Afterword to “Ching Witch!” · Ross Rocklynne · as 26 · Introduction to “The Word for World Is Forest” · Harlan Ellison · is · The Word for World Is Forest [Ekumen] · Ursula K. Le Guin · na · Afterword to “The Word for World Is Forest” · Ursula K. Le Guin · as 109 · Introduction to “For Value Received” · Harlan Ellison · is · For Value Received · Andrew J. Offutt · ss · Afterword to “For Value Received” · Andrew J. Offutt · as 124 · Introduction to “Mathoms from the Time Closet” · Harlan Ellison · is 126 · Mathoms from the Time Closet · Gene Wolfe · gp _126 · Robot’s Story · Gene Wolfe · ss _129 · Against the Lafayette Escadrille · Gene Wolfe · vi _132 · Loco Parentis · Gene Wolfe · ss · Afterword to “Mathoms from the Time Closet” · Gene Wolfe · as 135 · Introduction to “Time Travel for Pedestrians” · Harlan Ellison · is · Time Travel for Pedestrians · Ray Nelson · nv · Afterword to “Time Travel for Pedestrians” · Ray Nelson · as 162 · Introduction to “Christ, Old Student in a New School” · Harlan Ellison · is · Christ, Old Student in a New School · Ray Bradbury · pm · Afterword to “Christ, Old Student in a New School” · Ray Bradbury · as 170 · Introduction to “King of the Hill” · Harlan Ellison · is · King of the Hill · Chad Oliver · ss · Afterword to “King of the Hill” · Chad Oliver · as 187 · Introduction to “The 10:00 Report Is Brought to You by…” · Harlan Ellison · is · The 10:00 Report Is Brought to You by… · Edward Bryant · ss · Afterword to “The 10:00 Report Is Brought to You by…” · Edward Bryant · as 200 · Introduction to “The Funeral” · Harlan Ellison · is · The Funeral · Kate Wilhelm · nv · Afterword to “The Funeral” · Kate Wilhelm · as 224 · Introduction to “Harry the Hare” · Harlan Ellison · is · Harry the Hare · James B. Hemesath · ss · Afterword to “Harry the Hare” · James B. Hemesath · as 229 · Introduction to “When It Changed” · Harlan Ellison · is · When It Changed [Whileaway] · Joanna Russ · ss · Afterword to “When It Changed” · Joanna Russ · as 242 · Introduction to “The Big Space Fuck” · Harlan Ellison · is · The Big Space Fuck · Kurt Vonnegut, Jr. · ss · Afterword to “The Big Space Fuck” · Kurt Vonnegut, Jr. · as 251 · Introduction to “Bounty” · Harlan Ellison · is · Bounty · T. L. Sherred · vi · Afterword to “Bounty” · T. L. Sherred · as 257 · Introduction to “Still-Life” · Harlan Ellison · is · Still-Life · K. M. O’Donnell · ss · Afterword to “Still-Life” · K. M. O’Donnell · as 269 · Introduction to “Stoned Counsel” · Harlan Ellison · is · Stoned Counsel · H. H. Hollis · ss · Afterword to “Stoned Counsel” · H. H. Hollis · as 283 · Introduction to “Monitored Dreams and Strategic Cremations” · Harlan Ellison · is 285 · Monitored Dreams and Strategic Cremations · Bernard Wolfe · gp _285 · The Bisquit Position · Bernard Wolfe · nv _303 · The Girl with Rapid Eye Movements · Bernard Wolfe · nv · Afterword to “Monitored Dreams and Strategic Cremations” · Bernard Wolfe · as 340 · Introduction to “With a Finger in My I” · Harlan Ellison · is · With a Finger in My I · David Gerrold · ss · Afterword to “With a Finger in My I” · David Gerrold · as 353 · Introduction to “In the Barn” · Harlan Ellison · is · In the Barn · Piers Anthony · nv · Afterword to “In the Barn” · Piers Anthony · as 385 · Introduction to “Soundless Evening” · Harlan Ellison · is · Soundless Evening · Lee Hoffman · ss · Afterword to “Soundless Evening” · Lee Hoffman · as 391 · Introduction to “☁” · Harlan Ellison · is · ☁ · Gahan Wilson · ss · Afterword to “☁” · Gahan Wilson · as 404 · Introduction to “The Test-Tube Creature, Afterward” · Harlan Ellison · is · The Test-Tube Creature, Afterward · Joan Bernott · ss · Afterword to “The Test-Tube Creature, Afterward” · Joan Bernott · as 408 · Introduction to “And the Sea Like Mirrors” · Harlan Ellison · is · And the Sea Like Mirrors · Gregory Benford · ss · Afterword to “And the Sea Like Mirrors” · Gregory Benford · as 425 · Introduction to “Bed Sheets Are White” · Harlan Ellison · is · Bed Sheets Are White · Evelyn Lief · ss · Afterword to “Bed Sheets Are White” · Evelyn Lief · as 432 · Introduction to “Tissue” · Harlan Ellison · is 436 · Tissue · James Sallis · gp _436 · At the Fitting Shop · James Sallis · ss _440 · 53rd American Dream · James Sallis · ss · Afterword to “Tissue” · James Sallis · as 445 · Introduction to “Elouise and the Doctors of the Planet Pergamon” · Harlan Ellison · is · Elouise and the Doctors of the Planet Pergamon · Josephine Saxton · ss · Afterword to “Elouise and the Doctors of the Planet Pergamon” · Josephine Saxton · as 461 · Introduction to “Chuck Berry, Won’t You Please Come Home?” · Harlan Ellison · is · Chuck Berry, Won’t You Please Come Home? · Ken McCullough · ss · Afterword to “Chuck Berry, Won’t You Please Come Home?” · Ken McCullough · as 471 · Introduction to “Epiphany for Aliens” · Harlan Ellison · is · Epiphany for Aliens · David Kerr · ss · Afterword to “Epiphany for Aliens” · David Kerr · as 481 · Introduction to “Eye of the Beholder” · Harlan Ellison · is · Eye of the Beholder · Burt K. Filer · ss · Afterword to “Eye of the Beholder” · Burt K. Filer · as 494 · Introduction to “Moth Race” · Harlan Ellison · is · Moth Race · Richard Hill · ss · Afterword to “Moth Race” · Richard Hill · as 505 · Introduction to “In Re Glover” · Harlan Ellison · is · In Re Glover · Leonard Tushnet · ss · Afterword to “In Re Glover” · Leonard Tushnet · as 516 · Introduction to “Zero Gee” · Harlan Ellison · is · Zero Gee [Chet Kinsman] · Ben Bova · nv · Afterword to “Zero Gee” · Ben Bova · as 542 · Introduction to “A Mouse in the Walls of the Global Village” · Harlan Ellison · is · A Mouse in the Walls of the Global Village · Dean R. Koontz · ss · Afterword to “A Mouse in the Walls of the Global Village” · Dean R. Koontz · as 554 · Introduction to “Getting Along” · Harlan Ellison · is · Getting Along · James Blish & Judith Ann Lawrence · nv · Afterword to “Getting Along” · James Blish · as 580 · Introduction to “Totenbüch” · Harlan Ellison · is · Totenbüch · A. Parra (y Figueredo) · ss · Afterword to “Totenbüch” · A. Parra (y Figueredo) · as 589 · Introduction to “Things Lost” · Harlan Ellison · is · Things Lost · Thomas M. Disch · nv · Afterword to “Things Lost” · Thomas M. Disch · as 614 · Introduction to “With the Bentfin Boomer Boys on Little Old New Alabama” · Harlan Ellison · is · With the Bentfin Boomer Boys on Little Old New Alabama [Bentfin Boomers] · Richard A. Lupoff · na · Afterword to “With the Bentfin Boomer Boys on Little Old New Alabama” · Richard A. Lupoff · as 702 · Introduction to “Lamia Mutable” · Harlan Ellison · is · Lamia Mutable [Viriconium] · M. John Harrison · ss · Afterword to “Lamia Mutable” · M. John Harrison · as 711 · Introduction to “Last Train to Kankakee” · Harlan Ellison · is · Last Train to Kankakee · Robin Scott · ss · Afterword to “Last Train to Kankakee” · Robin Scott · as 720 · Introduction to “Empire of the Sun” · Harlan Ellison · is · Empire of the Sun · Andrew Weiner · ss · Afterword to “Empire of the Sun” · Andrew Weiner · as 727 · Introduction to “Ozymandias” · Harlan Ellison · is · Ozymandias · Terry Carr · ss · Afterword to “Ozymandias” · Terry Carr · as 744 · Introduction to “The Milk of Paradise” · Harlan Ellison · is · The Milk of Paradise · James Tiptree, Jr. · nv · Afterword to “The Milk of Paradise” · James Tiptree, Jr. · as 759 · Ed Emshwiller · [uncredited] · bg [Ref. Ed Emshwiller]

Again, Dangerous Visions, Book 1 ed. Harlan Ellison (Pan, 1977, 0-330-25068-X, 80p, 450pp, pb, oa)     Reprint (Signet 1973 as Again, Dangerous Visions I) anthology containing the first half of Again, Dangerous Visions (Doubleday 1972).

Again, Dangerous Visions, Book 2 ed. Harlan Ellison (Pan, 1977, 0-330-25096-5, 80p, 448pp, pb, oa)     Reprint (Signet 1973 as Again, Dangerous Visions II) anthology containing the second half of Again, Dangerous Visions (Doubleday 1972).

Again, Dangerous Visions I ed. Harlan Ellison (Signet, November 1973, $1.95, xxiv+450pp, pb, an, cover by Ed Emshwiller)     Reprints the first half of the original anthology (Doubleday, 1972). Details taken from online listing. ix · An Assault of New Dreamers · Harlan Ellison · in Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 1 · Introduction to “The Counterpoint of View” · Harlan Ellison · is Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 3 · The Counterpoint of View · John Heidenry · ss Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 6 · Afterword to “The Counterpoint of View” · John Heidenry · as Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 7 · Introduction to “Ching Witch!” · Harlan Ellison · is Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 12 · Ching Witch! · Ross Rocklynne · ss Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 28 · Afterword to “Ching Witch!” · Ross Rocklynne · as Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 31 · Introduction to “The Word for World Is Forest” · Harlan Ellison · is Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 35 · The Word for World Is Forest [Ekumen] · Ursula K. Le Guin · na Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 126 · Afterword to “The Word for World Is Forest” · Ursula K. Le Guin · as Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 127 · Introduction to “For Value Received” · Harlan Ellison · is Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 135 · For Value Received · Andrew J. Offutt · ss Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 143 · Afterword to “For Value Received” · Andrew J. Offutt · as Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 145 · Introduction to “Mathoms from the Time Closet” · Harlan Ellison · is Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 147 · Mathoms from the Time Closet · Gene Wolfe · gp Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 _147 · Robot’s Story · Gene Wolfe · ss Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 _151 · Against the Lafayette Escadrille · Gene Wolfe · vi Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 _154 · Loco Parentis · Gene Wolfe · ss Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 156 · Afterword to “Mathoms from the Time Closet” · Gene Wolfe · as Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 157 · Introduction to “Time Travel for Pedestrians” · Harlan Ellison · is Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 163 · Time Travel for Pedestrians · Ray Nelson · nv Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 186 · Afterword to “Time Travel for Pedestrians” · Ray Nelson · as Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 188 · Introduction to “Christ, Old Student in a New School” · Harlan Ellison · is Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 191 · Christ, Old Student in a New School · Ray Bradbury · pm Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 195 · Afterword to “Christ, Old Student in a New School” · Ray Bradbury · as Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 197 · Introduction to “King of the Hill” · Harlan Ellison · is Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 199 · King of the Hill · Chad Oliver · ss Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 215 · Afterword to “King of the Hill” · Chad Oliver · as Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 217 · Introduction to “The 10:00 Report Is Brought to You by…” · Harlan Ellison · is Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 221 · The 10:00 Report Is Brought to You by… · Edward Bryant · ss Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 232 · Afterword to “The 10:00 Report Is Brought to You by…” · Edward Bryant · as Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 233 · Introduction to “The Funeral” · Harlan Ellison · is Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 234 · The Funeral · Kate Wilhelm · nv Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 258 · Afterword to “The Funeral” · Kate Wilhelm · as Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 261 · Introduction to “Harry the Hare” · Harlan Ellison · is Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 263 · Harry the Hare · James B. Hemesath · ss Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 265 · Afterword to “Harry the Hare” · James B. Hemesath · as Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 266 · Introduction to “When It Changed” · Harlan Ellison · is Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 271 · When It Changed [Whileaway] · Joanna Russ · ss Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 279 · Afterword to “When It Changed” · Joanna Russ · as Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 282 · Introduction to “The Big Space Fuck” · Harlan Ellison · is Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 287 · The Big Space Fuck · Kurt Vonnegut, Jr. · ss Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 292 · Afterword to “The Big Space Fuck” · Kurt Vonnegut, Jr. · as Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 293 · Introduction to “Bounty” · Harlan Ellison · is Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 296 · Bounty · T. L. Sherred · vi Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 299 · Afterword to “Bounty” · T. L. Sherred · as Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 300 · Introduction to “Still-Life” · Harlan Ellison · is Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 302 · Still-Life · K. M. O’Donnell · ss Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 314 · Afterword to “Still-Life” · K. M. O’Donnell · as Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 315 · Introduction to “Stoned Counsel” · Harlan Ellison · is Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 317 · Stoned Counsel · H. H. Hollis · ss Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 329 · Afterword to “Stoned Counsel” · H. H. Hollis · as Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 331 · Introduction to “Monitored Dreams and Strategic Cremations” · Harlan Ellison · is Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 334 · Monitored Dreams and Strategic Cremations · Bernard Wolfe · gp Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 _334 · The Bisquit Position · Bernard Wolfe · nv Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 _354 · The Girl with Rapid Eye Movements · Bernard Wolfe · nv Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 391 · Afterword to “Monitored Dreams and Strategic Cremations” · Bernard Wolfe · as Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 398 · Introduction to “With a Finger in My I” · Harlan Ellison · is Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 402 · With a Finger in My I · David Gerrold · ss Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 411 · Afterword to “With a Finger in My I” · David Gerrold · as Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 413 · Introduction to “In the Barn” · Harlan Ellison · is Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 421 · In the Barn · Piers Anthony · nv Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972 449 · Afterword to “In the Barn” · Piers Anthony · as Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972