The FictionMags Index

Index by Name: Page 1187

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Bradbury, Ray (Douglas)

* The Veldt, (pl) The Wonderful Ice Cream Suit and Other Plays, Bantam, 1972; adapted from The Saturday Evening Post Sep 23 ’50.

* The Very Bewildered Corpses [Douser Mulligan], (ss) Detective Tales December 1944, as "Four-Way Funeral"

The Collected Stories of Ray Bradbury: A Critical Edition: Volume 3: 1944-1945, Kent State University Press, 2017

* The Very Gentle Murders, (ss) Ellery Queen’s Mystery Magazine May 1994

Quicker than the Eye, Avon, 1996

* Very Late in the Evening, (ss) Playboy December 1960

The Machineries of Joy, Simon & Schuster, 1964, as "Some Live Like Lazarus"
When Elephants Last in the Dooryard Bloomed, Knopf, 1973, as "Some Live Like Lazarus"
The Stories of Ray Bradbury, Knopf, 1980, as "Some Live Like Lazarus"
The Complete Poems of Ray Bradbury, Ballantine, 1982, as "Some Live Like Lazarus"
They Have Not Seen the Stars: The Collected Poems of Ray Bradbury, Stealth Press, 2002, as "Some Live Like Lazarus"
Killer, Come Back to Me, Hard Case Crime, 2020, as "Some Live Like Lazarus"

* Vignettes of Tomorrow, (gp)

Far Boundaries ed. August Derleth, Pellegrini & Cudahy, 1951

* Villians, Varmints, Fascists, Foes, in Hardcover Anything Goes, (pm) Los Angeles Times Book Review October 30 1977

Where Robot Mice and Robot Men Run Round in Robot Towns, Knopf, 1977, as "Long Thoughts on Best-Sellers by Worst People"
The Complete Poems of Ray Bradbury, Ballantine, 1982, as "Long Thoughts on Best-Sellers by Worst People"
They Have Not Seen the Stars: The Collected Poems of Ray Bradbury, Stealth Press, 2002, as "Long Thoughts on Best-Sellers by Worst People"
I Live by the Invisible, Salmon Publishing Ltd., 2002, as "Long Thoughts on Best-Sellers by Worst People"

* Vin Revivere, or a Vintage Revisited, (ar) Bradbury Speaks, Morrow, 2005

* The Vintage Bradbury, (co) Vintage (pb), 1965

* Virgin Resusitas, (ss) Driving Blind, Avon, 1997

* The Visit, (ss) The Strand Magazine #26, October 2008/January 2009

We’ll Always Have Paris, Morrow, 2009

* The Visitation, (pm) Postscripts #1, Spring 2004

* The Visitor, (ss) Startling Stories November 1948

* The Voyage to Far Metaphor and Elephant India: A Preface, (in) Windows Summer 1986, as "Metaphor Is Everything"

Yestermorrow, Capra Press, 1992

* The Waders, (vi) Summer Morning, Summer Night, PS Publishing, 2007

* Wake for the Living, (ss) Dime Mystery Magazine September 1947

* A Walk in Summer, (ss) 1979

Summer Morning, Summer Night, PS Publishing, 2007

* The Wandering Witch [The Elliott Family], (ss) The Saturday Evening Post April 5 1952, as "The April Witch"

From the Dust Returned, HarperCollins/Morrow, 2001

* The Watchers, (ss) Weird Tales May 1945

* The Watchers [Mars], (vi) The Martian Chronicles, Doubleday, 1950

* The Watchful Poker Chip, (ss) Beyond Fantasy Fiction March 1954

* Watching and Writing, (in) We’ll Always Have Paris, Morrow, 2009

* Way Down South on Broadway, (ar) Imagination! August 1938, as by Dr. Ac’s Dawter

* Way in the Middle of the Air [Mars], (ss) Other Worlds Science Stories July 1950

* The Way Station, (vi) Greentown Tinseltown, Stanza Press, 2012

* W. C. Fields and the S.O.B on Roller Skates, (ar) Producers’ Journal June 1973

Greentown Tinseltown, Stanza Press, 2012

* We Are the Carpenters of an Invisible Cathedral, (pm)

A Chapbook for Burnt-Out Priests, Rabbis and Ministers, Cemetery Dance, 2001; as introduction to In the Stream of Stars: The Soviet/American Space Art Book, Workman Publishing, 1990.

* We Are the Reliquaries of Lost Time, (pm) Future Life August 1980

* We Have Our Arts So We Won’t Die of Truth, (pm) Where Robot Mice and Robot Men Run Round in Robot Towns, Knopf, 1977

* Welcome, Brothers! [Mars], (ss) Planet Stories Fall 1948, as "Mars Is Heaven!"

Authentic Science Fiction Monthly #29, January 15 1953

* We’ll Always Have Paris, (oc) HarperCollins/Morrow (hc), January 2009

* We’ll Always Have Paris, (ss) We’ll Always Have Paris, Morrow, 2009

* We’ll Just Act Natural, (ss) The Cat’s Pajamas, Morrow, 2004

* Well, What Do You Have to Say for Yourself?, (ss) One More for the Road, Morrow, 2002

* We March Back to Olympus, (pm) Where Robot Mice and Robot Men Run Round in Robot Towns, Knopf, 1977

* West of October [The Elliott Family], (ss) The Toynbee Convector, Knopf, 1988

* We the People, Inc., (ss) Hemispheres June 2001

* The Whale, the Whim, and I, (ar) Bradbury Speaks, Morrow, 2005

* What Age Is This?, (pm) Fungi #20, Spring 2011

* What I Do Is Me—For That I Came, (pm) Where Robot Mice and Robot Men Run Round in Robot Towns, Knopf, 1977

* What if I Said: The Dinosaur’s Not Dead, (pm) Dinosaur Tales, Bantam, 1983

* What Seems a Balm Is Salt to Ancient Wounds, (pm) Texas Quarterly Winter 1968

* The Wheel, (vi) The Martian Chronicles: The Complete Edition, Subterranean Press, 2010

* When Elephants Last in the Dooryard Bloomed, (co) Alfred A. Knopf (hc), November 1973

The Complete Poems of Ray Bradbury, Ballantine, 1982

* When Elephants Last in the Dooryard Bloomed, (pm) P.S. April 1966

* When God in Loins a Beehive Puts, (pm) The Climate of Palettes, Lord John Press, 1989

* When Ignorant Armies Clash, (na) Match to Flame: The Fictional Path to Fahrenheit 451, Gauntlet Press, 2007

* When the Bough Breaks, (ss) We’ll Always Have Paris, Morrow, 2009

* Where All Is Emptiness There Is Room to Move, (ss) One More for the Road, Morrow, 2002

* Where Are the Golden-Eyed Martians?, (ar) West LA Times March 12 1972

Perry Rhodan #61, 1975

* Where Do I Get My Ideas?, (ar) The Journal of Science-Fiction Fall 1951

* Where Everything Ends, (om) Subterranean Press (hc), December 2009

* Where Everything Ends, (ss) Where Everything Ends, Subterranean Press, 2009

* Where Robot Mice and Robot Men Run Round in Robot Towns, (co) Alfred A. Knopf (hc), November 1977

The Complete Poems of Ray Bradbury, Ballantine, 1982

* Where’s My Hat, What’s My Hurry?, (ss) The Cat’s Pajamas, Morrow, 2004

* Which Shall It Be?, (pm) A Chapbook for Burnt-Out Priests, Rabbis and Ministers, Cemetery Dance, 2001

* While Earthmen Sleep [Mars], (ss) Planet Stories Fall 1948, as "Mars Is Heaven!"

* The Whole Town’s Sleeping [Green Town], (ss) McCall’s September 1950

* Who Owns What and Which and Why, (ar) Designers West December 1990

Yestermorrow, Capra Press, 1992

* Why Didn’t Someone Tell Me About Crying in the Shower?, (pm) Where Robot Mice and Robot Men Run Round in Robot Towns, Knopf, 1977

* Why Disney Will Last Forever, (ar) Mickey Is Sixty, Shelley Lewis Waln, 1988

Yestermorrow, Capra Press, 1992, as "The Hipbone of Abraham L."

* Why Ghouls Leave Home, (hu) Fantascience Digest July/August/September 1939

* Why I Selected “Zero Hour”, (is) My Best Science Fiction Story ed. Leo Margulies & Oscar J. Friend, Merlin Press, 1949

* Why Man Explores, (sy) Omni November 1981

Omni (UK) v4 #2, 1981

* Why Space, Why Shakespeare, (pm)

World Interdependence Fund, World Interdependence Fund, 1985

* Why Viking Lander, Why the Planet Mars?, (pm) Los Angeles Times June 27 1976

* Wilber and His Germ, (vi) Rob Wagner’s Script May 24 1941; early version of “The Watchers”, Weird Tales May ’45.

* The Wilderness, (ss) Today April 6 1952

The Golden Apples of the Sun, Subterranean Press, 2008

* The Wilderness [Mars], (ss) The Magazine of Fantasy and Science Fiction November 1952; revised from Today Apr 6 ’52.

* Wild in Galway, (ss) Harper’s Magazine August 1959, as "A Wild Night in Galway"

Argosy (UK) February 1960

* A Wild Night in Galway, (ss) Harper’s Magazine August 1959

Argosy (UK) February 1960, as "Wild in Galway"
The Wild Night Company ed. Peter Haining, Gollancz, 1970
Bradbury Stories, HarperCollins/Morrow, 2003

* The Wind, (ss) Weird Tales March 1943

* “The Wind”: March 1943, (is) Dark Carnival (var. 2), Gauntlet Press, 2001

* The Window [Green Town], (ss) Collier’s August 5 1950

Argosy (UK) May 1952
Dandelion Wine, Doubleday, 1957
The Stories of Ray Bradbury, Knopf, 1980, as "Calling Mexico"
A Story of Love, Le Livre de Poche, 1991, as "Calling Mexico"

* Wind-Up World, (vi) Marionettes, Inc., Subterranean Press, 2009

* The Wingless Bat, (ar) Dark Carnival (var. 2), Gauntlet Press, 2001

* The Wish, (ss) Woman’s Day December 1973

* The Witch Door, (ss) Playboy December 1995

* Within a Summer Frame, (pm) The Haunted Computer and the Android Pope, Knopf, 1981

* With Love, (pm) I Live by the Invisible, Salmon Publishing Ltd., 2002

* With Nothing Trembles, (pm) Iniquities Autumn 1991

* With Smiles as Wide as Summer, (ss) Clipper November/December 1961

* A Woman Is a Fast-Moving Picnic, (ss) Driving Blind, Avon, 1997

* The Women, (ss) Famous Fantastic Mysteries October 1948

* Women Know Themselves; All Men Wonder, (pm) When Elephants Last in the Dooryard Bloomed, Knopf, 1973

* The Wonderful Death of Dudley Stone, (ss) Charm July 1954

* The Wonderful Ice Cream Suit, (ss) The Saturday Evening Post October 4 1958, as "The Magic White Suit"

* The Wonderful Ice Cream Suit, (pl) The Wonderful Ice Cream Suit and Other Plays, Bantam, 1972; adapted from The Saturday Evening Post Oct 4 ’58.

* The Wonderful Ice Cream Suit and Other Plays, (co) Bantam (pb), April 1972

* World Interdependence Fund, (co) World Interdependence Fund (quarto), April 1985

* The World the Children Made, (ss) The Saturday Evening Post September 23 1950

The Saturday Evening Post Stories 1950, Random House, 1950
The Illustrated Man, Doubleday, 1951, as "The Veldt"
The Illustrated Man (var. 1), Rupert Hart-Davis, 1952, as "The Veldt"
Beyond the Barriers of Space and Time ed. Judith Merril, Random House, 1954, as "The Veldt"
More Horror Stories ed. Elizabeth Lee, Elek Bestseller Library, 1962, as "The Veldt"
The Vintage Bradbury, Vintage, 1965, as "The Veldt"
Second Orbit ed. G. D. Doherty, John Murray, 1965, as "The Veldt"
Untravelled Worlds ed. Alan Frank Barter & R. Wilson, Macmillan UK, 1966, as "The Veldt"
Masters’ Choice ed. Laurence M. Janifer, Simon & Schuster, 1966, as "The Veldt"
Science Fiction ed. L. P. Stupin, Prosveshcheniye, 1970, as "The Veldt"
World Zero Minus ed. Aidan & Nancy Chambers, Topliners, 1971, as "The Veldt"
Science Fiction 3 ed. Robert Pierce & Murray Suid, Houghton Mifflin, 1973, as "The Veldt"
Past, Present, and Future Perfect ed. Jack C. Wolf & Gregory Fitz Gerald, Fawcett Premier, 1973, as "The Veldt"
Tomorrow, and Tomorrow, and Tomorrow… ed. Bonnie L. Heintz, Frank Herbert, Donald A. Joos & Jane Agorn McGee, Holt, Rinehart & Winston, 1974, as "The Veldt"
Ray Bradbury, Harrap, 1975, as "The Veldt"
The Best Horror Stories, Hamlyn, 1977, as "The Veldt"
Space 3 ed. Richard Davis, Abelard Schuman UK, 1977, as "The Veldt"
The Stories of Ray Bradbury, Knopf, 1980, as "The Veldt"
Suspense ed. Raymond Wilson, John Murray, 1982, as "The Veldt"
The Best Horror Stories (var. 1), BDD/Mallard Press, 1990, as "The Veldt"
The Best Horror Stories (var. 1), Ivy Leaf, 1990, as "The Veldt"
The Puffin Book of Ghosts and Ghouls ed. Gene Kemp, Viking UK, 1992, as "The Veldt"
Simulations ed. Karie Jacobson, Citadel Twilight, 1993, as "The Veldt"
Science and Technology Today ed. Nancy R. MacKenzie, St. Martin's, 1995, as "The Veldt"
American Gothic Tales ed. Joyce Carol Oates, Penguin/Plume, 1996, as "The Veldt"
Science-Fiction Classics: The Stories That Morphed Into Movies ed. Forrest J Ackerman, TV Books, 1999, as "The Veldt"
Technohorror ed. James Frenkel, Lowell House/Roxbury Park Books, 1999, as "The Veldt"
Norton Anthology of Short Fiction: Sixth Edition ed. R. V. Cassill & Richard Bausch, W.W. Norton & Company, 2000, as "The Veldt"
The Longman Anthology of Short Fiction ed. Dana Gioia & R. S. Gwynn, Longman US, 2000, as "The Veldt"
Forever and the Earth, PS Publishing, 2005, as "The Veldt"
The Illustrated Man, The October Country, Other Stories, Library of America, 2022, as "The Veldt"

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