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Dark Ararat

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Dark Ararat is the fifth novel in an overarching masterpiece. It extends into interstellar space of Brian Stableford's ambitious ongoing future history series begun in Inherit the Earth and continued in Architects of Emortality, The Fountains of Youth and The Cassandra Complex.

Hundreds of years into the future, humanity is expanding out into the galaxy in gigantic colony ships. Slower than light speed, the colony ships are filled with long lived people who are, nevertheless, in suspended animation for all or much of the voyage. One ship has reached a promising world and begun a colony, but not everyone has yet been awakened. Mathew Fleury is shocked to learn that he has been revived from suspended animation to replace a colleague who has been murdered.

Is the planet still inhabited by the alien race that left the ancient ruins of great cities? And who killed the eminent scientist leading the investigation of the ruins? If the aliens survive, then the planet becomes off limits to humans, and the ship must find another planet to colonize. There are some colonists who would kill to leave. And some who would kill the aliens, or humans, to stay.

Stableford has written another ambitious novel that extends and deepens the concerns of one of the major, multivolume SF works of the turn of the century.

Published 1st March 2002 by Tor
ISBN:0-765-30168-7
Cover by Alan Pollack.

 

Click to view Dark Ararat: The Lost Text - Prologue
Click to view Dark Ararat: The Lost Text - Chapter 37 dream sequence

Review by Ian Braidwood

Cast of Characters:
Mathew Fleury, Dr Nita Brownell, Inspector Vince Solari, Franz Leitz, Mr Riddell, Konstantin Milyukov, Andrei Lityanski, Shen Chin Che, Ikram Mohammed, Lynn Gwyer, Tang Dinh Quan, Godert Kreifmann, Maryanne Hyder, Dulcie Gherardesca and Rand Blackstone.

This review of Dark Ararat is unique, because it is the only review of the book as the author intended it. Tor have cut nearly two complete chapters from their edition and Brian has kindly given them to me to publish here so you can see the difference. To restore the novel, insert the prologue at the start, the dream sequence after the first paragraph of chapter 37 and then ignore the epilogue from the Tor version.

Brian cut his teeth on the ecological mystery in the early seventies, practically inventing the form and developing it up to his break and The Gates of Eden. When he came back after his SF hiatus, he tended to write different types of books and his writing had improved so markedly that it became an interesting question as to what an eco-mystery would be like if he wrote one now.

Well, Dark Ararat is the answer to that question and Brian has taken the form forward considerably.

There are numerous questions in the book, which are necessarily addressed by any serious attempt at writing about space colonisation; they are simply contingent to the situation. For instance, whether life forms can be carbon based and if so, whether DNA is necessary, or could some other replicator molecule organise proteins well enough to build multicellular organisms. (This of course presupposes that life has to be multicellular to be interesting.)

Most SF authors simply brush these aside, because they want to tell an adventure and anyway, these are complex issues, which most SF authors (being physicists by persuasion) aren't competent to address.

There were of course, the Murasaki stories by Greg Bear, David Brin etc, but these were deliberately set on a world as close to Earth as could reasonably be expected if the universe were being generous. They assumed that DNA was the genetic molecule, though they did introduce new bases, giving the replicator the ability to synthesise unique proteins.

Brian hasn't allowed himself such luxuries, addressing the question of DNA's prevalence and opting for a completely different genetic molecule, which builds organisms in a radically different way.

It is of course, the point of the novel to unravel these mysteries, so I'll go no further in this direction, except to say that Dark Ararat undermines many assumptions which other SF authors don't even realise they are making.

The situation which Mathew Fleury finds aboard the starship Hope is a complicated one. Not only have the crew staged a communist revolution and are in a state of civil war, but down on Ararat/Tyre there has been a murder, so the crew have woken Inspector Vince Solari at the same time to investigate this crime.

The hibernation process isn't cost free, so Vince and Mathew have to spend some time reacclimatising, before they can be sent down to the surface. During this time, they use film taken from various planetary probes to have a preliminary look at the life forms, whose least bizarre characteristic is that they are bright purple. Also, Mathew makes contact with Shen Chin Che, leader of the counter revolutionaries.

Down on the surface, the situation is as complicated as in orbit. An old city has been found and many of the would be colonists are using this to cover their anxieties and argue that the humans should withdraw from the planet.

Vince and Mathew are landed by the old city, where a small team are investigating the ruins and where Bernal Delgado's murder was committed. Once there, they have to confront many problems before Mathew joins a boat trip down river to find the descendants of the city builders and finally solve the murder and the mysteries of Araratian/Tyrian biology.

As you can see from the length, yet superficiality of this review, Dark Ararat is a dense and complex novel, which stands testament to Brian's skill as a writer, because it is also easy to read. This is intellectual SF that conscientiously avoids glossing over problems which real colonists will have to face. It stands too as evidence for the depth and scope of Brian's intelligence and for the relative paucity of writers who compose solely for entertainment.

I look forward to being able read all the Emortality books again at leasure.

A review by Ken Newquist is online HERE
Two more reviews are HERE.

The Brian Stableford Website