Details supplied by Mark Owings. |
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Details supplied by Mark Owings. |
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Details supplied by Mark Owings. |
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A note at the end of the F. Britten Austin story says that it is the seventh of the series. I find only three stories by him in total from January 1935 to this point in 1936. Details supplied by Mark Owings. |
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Details supplied by Mark Owings. |
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Details supplied by Mark Owings. |
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Details supplied by Mark Owings. |
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Details supplied by Mark Owings. |
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Details supplied by Mark Owings. |
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Details supplied by Mark Owings. |
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Details supplied by Mark Owings. |
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Details supplied by Mark Owings. |
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It is mentioned that the SEP at this point received 70,000 fiction manuscripts a year. Details supplied by Mark Owings. |
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Details supplied by Mark Owings. |
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Details supplied by Mark Owings. |
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Details supplied by Mark Owings. |
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Details supplied by Mark Owings. |
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Details supplied by Mark Owings. |
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Details supplied by Mark Owings. |
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Details supplied by Mark Owings. |
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Details supplied by Mark Owings. |
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Details supplied by Mark Owings. |
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Details supplied by Mark Owings. |
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Details supplied by Mark Owings. |
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Details supplied by Mark Owings. |
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Details supplied by Mark Owings. |
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Details supplied by Mark Owings. |
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Details supplied by Mark Owings. |
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The “Keeping Posted” in this issue solves the problem of what to call the George Apley material. Marquand created a framing story of letters for a novel, which became in book form The Late George Apley. So it is fiction, though the SEP lists it as articles. Details supplied by Mark Owings. |
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The “Keeping Posted” in this issue notes that Hollywood bought Benét’s “Everybody Was Very Nice.” It was theoretically filmed; as “Love, Honor, and Behave” but the on-line synopsis bears no real resemblance to the story, the film being a comedy about wife-spanking. Details supplied by Mark Owings. |
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Details supplied by Mark Owings. |
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Details supplied by Mark Owings. |
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