The FictionMags Index
Index by Name: Page 7366
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[]Murray, Max(well Alexander) (1900-1956) (about) (chron.)
- * Alexandria, (nf) Men Only #5, April 1936
- * Best Man, (ss) Cassell’s Magazine October 1931
- * Big Game, (ss) Esquire June 1950
- * Change of Scene, (ss) The 20-Story Magazine #131, May 1933
- * The Corpse in the Sea, (sl) The Saturday Evening Post Jan 7, Jan 14, Jan 21, Jan 28, Feb 4, Feb 11, Feb 18, Feb 25 1950
- * The Corpse on the Bed, (sl) The Saturday Evening Post Jan 22, Jan 29, Feb 5, Feb 12, Feb 19, Feb 26 1955
- * The Emperor’s Pony, (ss) The Strand Magazine November 1932
- * George and the Agent’s Ear, (ss) The Passing Show February 18 1939
- * The Good Loser, (ss) The Grand Magazine April 1933
- * The King and the Corpse, (sl) The Saturday Evening Post Jan 17, Jan 24, Jan 31, Feb 7, Feb 14, Feb 21, Feb 28, Mar 6 1948
- * My Continent, Right or Wrong, (ar) The Strand Magazine July 1946
- * One Touch of Hollywood, (ss) The Story-teller March 1932
- * The Queen and the Corpse, (na) Mystery Book Magazine 2nd Spring 1949
- * The Red Water-Can, (ss) The Story-teller September 1931
- * Sharp Right Turn, (ss) Collier’s December 11 1948
- * So Like China, (ss) Cassell’s Magazine November 1931
- * A Traitor Has No Home, (ss) Britannia and Eve September 1940
- * Two in a Sleeper, (ss) Pearson’s Magazine February 1932
- * The Voice of the Corpse, (sl) The Saturday Evening Post Jul 12, Jul 19, Jul 26, Aug 2, Aug 9, Aug 16, Aug 23, Aug 30 1947
[]Murray, Pamela (fl. 1930s) (chron.)
- * And Now for the Open Air!, (ar) The New London Magazine #7, May 1931
- * Comfort on the Hearth, (ar) The New London Magazine #12, October 1931
- * Doing-Up a Tumble-down House, (ar) The New London Magazine #17, March 1932
- * Furnishing a Flat, (ar) The New London Magazine #14, December 1931
- * Halls That Say “Come In!”, (ar) The New London Magazine #6, April 1931
- * Honeymoon House, (ar) The New London Magazine #20, June 1932
- * Let’s Go Into the Garden, (ar) The New London Magazine #8, June 1931
- * New Kitchens for Old, (ar) The New London Magazine #4, February 1931
- * Other People’s Houses: Cold Ashby Hall, near Rugby, (ar) Britannia and Eve March 1931
- * The Three R’s, (ar) The New London Magazine #11, September 1931
[]Murray, Paul (fl. 2010s-2020s) (chron.)
- * Bram Stoker (1847-1912), (ar) The Green Book #20, Samhain 2022 [Ref. Bram Stoker]
- * F. Frankfort Moore (1885-1931), (ar) The Green Book #20, Samhain 2022 [Ref. F. Frankfort Moore]
- * Four Romances, (in) Four Romances by Bram Stoker, Swan River Press, 2010, as "Introduction"
- * George Croly (1780-1860), (ar) The Green Book #18, Samhain 2021 [Ref. George Croly]
- * Hamilton Deane (1880-1958), (ar) The Green Book #20, Samhain 2022 [Ref. Hamilton Deane]
- * Insect Literature, (br) The Green Book #7, Bealtaine 2016 [Ref. Lafcadio Hearn]
- * Introduction, (in) Four Romances by Bram Stoker, Swan River Press, 2010
- * Lafcadio Hearn (1850-1904), (ar) The Green Book #16, Samhain 2020 [Ref. Lafcadio Hearn]
[]Murray, Paula Helm (1956-2022) (about) (chron.)
- * The Dragon and the Sword, (ss) Marion Zimmer Bradley’s Fantasy Magazine Summer 1988
- * Kayli Kidnapped, (ss) Sword and Sorceress VIII ed. Marion Zimmer Bradley, DAW, 1991
- * Kayli’s Fire, (ss) Sword and Sorceress IV ed. Marion Zimmer Bradley, DAW, 1987
- * Kayli’s Quest, (nv) Spells of Wonder ed. Marion Zimmer Bradley, DAW, 1989
- * Kayli tüze, (ss) Fantasy Magazin 1989; translated from the English (“Kayli’s Fire”, Sword and Sorceress 4 ed. Marion Zimmer Bradley, DAW, 1987); translated by Szabó Edit
- * The Most Profane of the Sacred, (ss) Eldritch Tales #20, Summer 1989
[]Murray, Philip; pseudonym of Philip Allan (1884-1973) (chron.)
- * The Charnel House, (ss) Creeps, Philip Allan, 1932
- * Hangman’s Cottage, (ss) Nightmares, Philip Allan, 1933
- * If We Pull Together, (ar) The American Magazine June 1948
- * Labor’s Political Aims, (ar) The American Magazine February 1944
- * Matrix, (pm) Review Fifty Summer/Autumn 1951
- * The Patch, (ss) Shudders, Philip Allan, 1932
- * Poets and Penguins, (pm) Harper’s Magazine September 1946
- * The Poplar Tree, (ss) Shivers, Philip Allan, 1932
- * The Trunk, (ss) Shudders, Philip Allan, 1932
- * What Labor Is Fighting For, (ar) The American Magazine April 1942
_____, [ref.]
[]Murray, Richard (1910-1957); used pseudonym Richard English (chron.)
- * The Battling Brothers Dorsey, (ar) The Saturday Evening Post February 2 1946, as by Richard English
- * The Boom Came Back, (ar) Collier’s August 22 1942, as by Richard English
- * Cats Love Music, (ss) Collier’s October 8 1938, as by Richard English
- * Chips in the Stars, (ss) Collier’s May 10 1941, as by Richard English
- * Confessions of a Reformed Jazzman, (ar) The Saturday Evening Post January 6 1951, as by Richard English
- * Credentials, (vi) Collier’s October 10 1942, as by Richard English
- * Curtain Call, (vi) Collier’s June 15 1940, as by Richard English
- * A Date with 406, (??) Collier’s January 1 1949, as by Richard English
- * Ding-Dong Gives, (ss) Collier’s October 14 1939, as by Richard English
- * Father’s Day, (ss) Collier’s September 30 1939, as by Richard English
- * The First Good Neighbors, (ar) Collier’s November 15 1941, as by Richard English
- * Fuss Kelly and the 4F Ham [Fuss Kelly], (ss) The American Magazine June 1944, as by Richard English
- * Fuss Kelly and the Blitzkrieg Boogie [Fuss Kelly], (ss) The American Magazine March 1943, as by Richard English
- * Fuss Kelly’s Courtroom Clambake [Fuss Kelly], (ss) The American Magazine July 1943, as by Richard English
- * Gaudiest Producers in Hollywood, (ar) The Saturday Evening Post January 3 1953, as by Richard English
- * Glamor Boy, (ss) Collier’s February 4 1939, as by Richard English
- * The Ham Horse, (ss) Collier’s March 9 1940, as by Richard English
- * Hard Guy, (ss) This Week February 8 1948, as by Richard English
- * Hot Piano, (ss) Collier’s September 24 1938, as by Richard English
- * I Can Hear Again, (ar) The Saturday Evening Post June 1 1946, as by Richard English
- * Jet Guys Are Different, (ar) The Saturday Evening Post July 9 1949, as by Richard English
- * Kabloona Magic, (ss) Monster Book for Boys 1958
- * Lady Square, (ss) Collier’s October 30 1943, as by Richard English
- * Lady Ventilator, (ss) Collier’s February 11 1939, as by Richard English
- * Last Love, (ss) Collier’s November 8 1941, as by Richard English
- * Leavenworth Opus No. 1, (ss) Collier’s September 12 1942, as by Richard English
- * Love on the Half Shell, (ss) Esquire October 1947, as by Richard English
- * The Magic Marines, (ar) Collier’s October 3 1942, as by Richard English
- * Man Meets Metronome, (ss) Collier’s May 11 1940, as by Richard English
- * The Man Who Worries for the Stars, (ar) The Saturday Evening Post February 24 1951, as by Richard English
- * Marimba from Manhattan, (ss) Collier’s February 14 1942, as by Richard English
- * Melody in G.I., (ss) Collier’s August 12 1944, as by Richard English
- * Mexican Omelette, (ss) Collier’s March 4 1939, as by Richard English
- * Mexico Clamps Down on Stalin, (ar) The Saturday Evening Post August 30 1952, as by Richard English
- * The Mormons Move over, (ar) Collier’s December 12 1942, as by Richard English
- * Muscle Man, (ss) Collier’s December 9 1939, as by Richard English
- * Music with a Message, (ss) Collier’s January 4 1941, as by Richard English
- * No Credit to Breezy, (vi) Liberty April 3 1943, as by Richard English
- * No Place to Go, (ss) The Saturday Evening Post June 29 1946, as by Richard English
- * No Summer Love, (ss) Collier’s August 31 1940, as by Richard English
- * No Time for Love, (ss) Collier’s May 7 1938, as by Richard English
- * Odds on the Lady, (ss) Esquire August 1952, as by Richard English
- * One-Night Stand, (ss) Collier’s July 30 1938, as by Richard English
- * The Paul Revere Swing, (ss) The American Magazine October 1941, as by Richard English
- * Quick Pitch, (vi) Collier’s July 11 1942, as by Richard English
- * Rain Check from Rio, (ss) Collier’s September 26 1942, as by Richard English
- * Saber and Swing, (??) Collier’s July 24 1943, as by Richard English
- * Say It with Music, (ss) Collier’s July 20 1940, as by Richard English
- * The Secret of the Embassy Safe, (ss) This Week July 25 1954, as by Richard English
- * The Sheriff Takes a Ride, (vi) Collier’s January 17 1942, as by Richard English
- * Some Like It Simple, (ss) Collier’s April 30 1938, as by Richard English
- * Something to Remember, (ss) Cosmopolitan December 1941, as by Richard English
- * Square Shake, (ss) The Blue Book Magazine November 1948, as by Richard English
- * Strictly Ding-Dong, (ss) Collier’s June 25 1938, as by Richard English
- * Strictly Dirty-Neck, (ss) Cosmopolitan November 1938, as by Richard English
- * There’ll Never Be Another, (vi) Collier’s June 6 1942, as by Richard English
- * These Things You Left Me, (ss) Cosmopolitan December 1939, as by Richard English
- * Trombone from Heaven, (ss) Collier’s August 26 1939, as by Richard English
- * Trouble in B-Flat, (??) Collier’s March 16 1946, as by Richard English
- * Uncle Sam’s Bouncers Get Tough (immigration officers), (ar) The Saturday Evening Post December 22 1951, as by Richard English
- * We Almost Lost Hawaii to the Reds, (ar) The Saturday Evening Post February 2 1952, as by Richard English
- * What Gives Since Memphis?, (ss) Esquire February 1944, as by Richard English
- * What Makes a Hollywood Communist?, (ar) The Saturday Evening Post May 19 1951, as by Richard English
- * Wigwam Blues, (ss) Collier’s June 26 1943, as by Richard English
- * You Get What You Pay For, (ss) The Saturday Evening Post September 29 1945, as by Richard English
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