The FictionMags Index

Magazine Contents Lists: Page 6150

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    Lilliput [v22 #3, #129, March 1948] (1/-, 120pp, digest, cover by Walter Trier) []
    • 13 · Gulliver Goes Poltering · Lemuel Gulliver · cl
    • 18 · The Male Approach · Ronald Searle · hu; sequence of cartoons.
    • 20 · Monstrous Monstrous! · The Editors · ar
    • 29 · The Tell-Tale Head · Georges Simenon · ss
    • 36 · The Salford Scene · T. Thompson · ar; commentary on three paintings by L. S. Lowry reproduced in the colour pictorial feature.
    • 42 · A Baby Is Born Every 39.4 seconds · S. B. Whitehead · ms
    • 43 · Space-ships also Leak · Margot Bennett · ar; about science fiction magazines!
    • 48 · Cirque Molier · Various · pi; short article plus commentary on sequence of old photographs.
    • 58 · Phrops · Arnold Lunn · ar
    • 61 · Personal Triumph · Patrick Campbell · ar
    • 65 · Cries from the Crypt · Various · pi; colour illustrations from old gothic thrillers.
    • 69 · The Punching Bag · Maurice Richardson · ss
    • 73 · Portrait of a Yorkshire Yogi · Richard Lane · ar; about Dr Alexander Cannon.
    • 77 · The Poets Crib · Geoffrey Grigson · pi; illustrated by Bill Brandt; photo sequence by Brandt with commentary by Grigson depicting poets’ birthplaces.
    • 85 · Catch as Catch Can · [uncredited] · ar

    Lilliput [v22 #4, #130, April 1948] (1/-, 120pp, digest, cover by Walter Trier) []
    • 13 · Gulliver Is Dipped · Lemuel Gulliver · cl
    • 17 · St. Trinian’s cartoon · Ronald Searle · ct
    • 18 · The Hand That Rocks the Cradle Holds the Jemmy · S. P. Kernahan · ar
    • 29 · Double Divan · V. S. Pritchett · ss
    • 36 · Pure Artifice · Alan Pryce-Jones · ar; commentary upon four paintings by Marie Laurencin reproduced in the colour pictorial section.
    • 41 · The Great Hysteria · Michael Barsley · ss; spoof sf satire about a mysterious series of ailments that struck the English middle class in 1958.
    • 46 · The Lost Art of Flirtation · C. Willett Cunnington · ar
    • 48 · South of the Border · Tom Driberg · ar; article written around photographic feature of a Mexican Fiesta by Henle.
    • 57 · Cuckoo in the Nest · Patrick Campbell · ss
    • 62 · Is there a Psychiatrist in the House? · Wilfred Hanchant · ms
    • 64 · An Indian Aviary · John Irwin · ar; commentary on Indian art which is the basis for the pictorial feature.
    • 69 · Mr. Bevin’s Little King · Richard Lane · ar
    • 75 · No Score · Martyn Goff · ar
    • 76 · The Cinque Ports · John Pudney · ar; commentary on photos by Douglas Glass.
    • 85 · The Idiot Boy · John Symonds · ss
    • 88 · Lies all Lies · Ronald Searle · hu; sequence of cartoons.

    Lilliput [v22 #6, #132, June 1948] (1/-, 120pp, digest, cover by Walter Trier) []
    • 13 · Gulliver Lends His Ears · Lemuel Gulliver · cl
    • 17 · St. Trinian’s cartoon · Ronald Searle · ct
    • 18 · Social Occasion · James Fitton · ct
    • 20 · The Photograph · John Symonds · ss
    • 29 · The Third Dimension · John Pudney · ss
    • 33 · Where do they Go? · S. P. Kernahan · ar
    • 37 · Six Artists · Geoffrey Grigson · pi; illustrated by Bill Brandt; photo feature with commentary depicting Henry Moore, James Fitton, Ivon Hichens, John Piper, Feliks Topolski, Graham Sutherland.
    • 43 · Principles of Stone-Breaking · Patrick Kavanagh · ar
    • 45 · Free for All · Patrick Campbell · ss
    • 50 · The Sport of Kings · Brian Vesey-Fitzgerald · ar; commentary upon four paintings by Robert Scanlan.
    • 57 · Lament on the Death of a Donkey · P. H. Newby · ss
    • 61 · The Dead Laugh Last · [uncredited] · ar; about wills.
    • 63 · Operatic Tour · Various · pi; archive photos of operatic performances with anonymous (editorial?) comment.
    • 69 · What, No Index? · Constant Lambert · ar
    • 73 · The Seed in the Soil · Margot Bennett · ss
    • 76 · Peter Grimes’ Country · George Goldsmith Carter · ar; to accompany a photo sequence by Bill Brandt to which are appended verses from George Crabbe’s The Borough (1810).
    • 85 · Portrait of His Majesty in Straitened Circumstances · Richard Lane · ar

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