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Magazine Contents Lists: Page 10101

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The South Carolina Review [v12 #1, Fall 1979] []

· The Poetry of A.R. Ammons · Alfred S. Reid · ar

· The Mythic Coherence of Molloy · Eric S. Rabkin · ar

· Prayer in an Age of Criticism: The Hopkins Problem · Warren Leamon · ar

· The Separation · Annette T. Rottenberg · ss

· The Kiss · Marianne Gingher · ss

· Mr. Cherry · P. B. Newman · pm

· Two Poems · Sharon Olds · pm

· Shadowdance · Charles Tisdale · pm

· Four Poems · Roseanne Coggeshall · pm

· Robert Lowell: Life and Art by Steven Gould Axelrod · Charles Moleworth · br

· Remembering Poets: Reminiscences and Opinions by Donald Hall · Charles Moleworth · br

· A Revolution in Taste: Studies of Dylan Thomas, Allen Ginsburg, Sylvia Plath, and Robert Lowell by Louis Simpson · Charles Moleworth · br

· Literature Against Itself: Literary Ideas in Modern Society by Gerald Graff · William Cain · br

· Selected Poems by Margaret Atwood · Richard Jackson · br

· Night Talk and Other Poems by Richard Pevear · Richard Jackson · br

· The Difference Between Night and Day by Bin Ramke · Richard Jackson · br

· On Earth As It Is by Dan Masterson · Richard Jackson · br

· Mystery and Its Fictions: From Oedipus to Agatha Christie by David L. Grossvogel · Eric J. Sundquist · br

· Passage Through Gehenna by Madison Jones · Jan Nordby Gretlund · br

The South Carolina Review [v12 #2, Spring 1980] []

· Lowell’s Motion: Notebook and After · Phillip Cooper · ar

· Gamel Woolsey: A Poet from Aiken, South Carolina · Kenneth Hopkins · ar

· Literary Politics and the Shaping of the Frost Poetic Canon · Andrew J. Angyal · ar

· Sisters · Joyce Carol Oates · ss

· K. · Deborah Ann Gage · pm

· Fields · Paul Lake · pm

· Enclosures · Ann Deagon · pm

· Net Gain · Warren Fessler · pm

· The Poetry of Tennyson by A. Dwight Culler; Tennyson: Poet and Prophet by Philip Henderson · Hallman B. Bryant · br

· Max Perkins: Editor of Genius by A. Scott Berg; Aline by Carol Klein · John Idol · br

· Flannery O’Connor: The Habit of Being, Letters selected and edited by Sally Fitzgerald · Jan Nordby Gretlund · br

· Camel and Rex by Kenneth Hopkins · Frank Day · br

The South Carolina Review [v13 #1, Fall 1980] []

· Lawrence’s “Purely Destructive” Art in Women in Love · William E. Cain · ar

· Private Discourse in Thoreau’s Walden · Ronald B. Schwartz · ar

· A Letter from John Bennett to Jay B. Hubbell · Erma P. Whittington · ar

· Layaways · Stephen Dixon · ss

· The Crier Outside Bedlam · Gayle Whittier · ss

· The Watchman · W. D. Wetherell · ss

· In the Summer of Year One · Ken McCullough · pm

· To the Interior · Audrey Conard · pm

· Afternoon Difficulty · John Humma · pm

· Captive · Pauline Alldred · pm

· Two Poems · Robert Walton · pm

· Suicide · Robert Pawlowski · pm

· Two Poems · Stuart Friebert · pm

· Two Poems · Thomas P. Pickett · pm

· Apparent Angular Diameter · Ruth Berman · pm

· Upon the Death of the Neighborhood Caitiff · Carol Dunne · pm

· The Metal Eater · Robert P. Cooke · pm

· The Metal Rape · Melanie Gause Harris · pm

· Act Natural · John Ditsky · pm

· Crumbs from the Table · Dorothy Graccy · pm

· Poem from a Basement · Robin McCorquodale · pm

· The Aster, the Weed, and the Game · Allen Kanfer · pm

· Locus #12 · Paul Kameen · pm

· Letter in March · J. R. Kangas · pm

· A Gathered Church: The Literature of the English Dissenting Interest, 1700-1930 by Donald Davie · John Seed · br

· The Unity of “The Faerie Queen” by Ronald Arthur Horton · Jerome S. Dees · br

· Victorian Noon: English Literature in 1850 by Carl Dawson · Tim Peltason · br

· Person, Place, and Thing in Henry James’s Novels by Charles Anderson · Daniel J. Schneider · br

· The Prophetic Melville; Experience, Transcendence, and Tragedy by Rowland A. Sherrill · Nathalia Wright · br

· A Colonial Southern Bookshelf: Reading in the Eighteenth Century by Richard Beale Davis · John L. Idol, Jr. · br

· The Half-Blood: A Cultural Symbol in 19th-Century American Fiction by William J. Scheick · John L. Idol, Jr. · br

· The Metaphysical Novel in England and Ameriac: Dickens, Bulwer, Hawthorne, Melville by Edwin M. Eigner · Eric J. Sundquist · br

· Commissioned Spirits: The Shaping of Social Motion in Dickens, Carlyle, Melville, and Hawthorne by Jonathan Arac · Eric J. Sundquist · br

· The “Stanze” of Angelo Poliziano translated by David Quint · Frank Day · br (r)

The South Carolina Review [v13 #2, Spring 1981] []

· Interview with Walker Percy in His Home in Covington, Louisiana, January 2, 1981 · Jan Nordby Gretlund · iv

· The Allegory of the Cave and the Moviegoer · Lewis A. Lawson · ar

· Walker Percy: A Scandinavian View · Jan Nordby Gretlund · ar

· “The Thread in the Labyrinth”: Love in the Ruins and One Tradition of Comedy · John Cunningham · ar

· The Southernness of Walker Percy · Cleanth Brooks · ar

· Story, Story-teller and Listener: Notes on Lancelot · Simon Vauthier · ar

· When Gratitude Is No More: Eudora Welty’s “June Recital” · Marilyn Arnold · ar

· Distortion by History and Legend: The Pessimistic Ending of Lancelot · Nicholas Canaday · ar

· Little Tom · David Bottoms · ss

· Lamb Says · Roseanne Coggeshall · ss

· Targets · Robert T. Sorrells · ss

· The Palm Voyeur · Charles Edward Eaton · pm

· The Grapes · Kevin Clark · pm

· Three Poems · Naomi Rachel · pm

· Two Poems · William Aarnes · pm

· Four Poems · Lyn Lifshin · pm

· The Second Coming by Walker Percy · William Koon · br

· Eugene O’Neill: Poems: 1912-1944, ed. by Donald Gallup · Charles Molesworth · br

· Nathaniel Hawthorne: A Biography by Arlin Turner · John L. Idol, Jr. · br

· Henry Adams by R.P. Blackmur · William E. Cain · br

The South Carolina Review [v14 #1, Fall 1981] []

· Fanny Elssler: Charleston’s Bright Dancing Meteor of 1840-1841 · Mary Grace Swift · ar

· Hightower and Tennyson in Light in August · Mario L. D’Avanzo · ar

· Sanctuary: Personal Fantasies and Social Fictions · Robert J. Kloss · ar

· Addie Bundren’s Eyes and the Difference They Make · John E. Bassett · ar

· Signing the Syllables: The Poetry of Karl Shapiro · Richard Jackson · ar

· Not Charles · Stephen Dixon · ss

· Mansions · Lenora K. Rogers · ss

· Openings and Closings: A Collection of Short Fictions · Richard Kostelanetz · ss

· McCorquodale Dialogues from the Cathedral at Chartres · Robin Hunt · ss

· The Saddest Thing · Henry H. Roth · ss

· The Dispensation · Bob Everett · ss

· Wild Jack · Angela Strack · pm

· Two Poems · Stephen Roberts · pm

· Confederates, 1978 · Stephen Corey · pm

· Two Poems · Melvin Walker La Follette · pm

· Nob Dancers · Martha Parker · pm

· Moses · Norman Nathan · pm

· History at North Star · Kim Robert Stafford · pm

· Three Poems · Lyn Lifshin · pm

· Topolobampo · Peter LaSalle · pm

· Two Poems · Katrina V. Ringose · pm

· November · Robert E. Wood · pm

· Two Poems · Jane Somerville · pm

· Bach in the Afternoon · Mary Kratt · pm

· Destroyer and Preserver: Shelley’s Poetic Skepticism by Lloyd Abbey · Frederick W. Shilstone · br

· Sexualism and Feminism in Shelley by Nathaniel Brown · Frederick W. Shilstone · br

· Mary Stuart, freely translated and adapted from Schiller’s play by Stephen Spender · Victor Anthony Rudowski · br [Ref. Stephen Spender]

· Dialects in Culture: Essays in General Dialectology by Raven I. McDavid, Jr., edited by William A. Kretzschmar, Jr. · John L. Idol, Jr. · br

· Varieties of American English: Essays by Raven I. McDavid, Jr., selected and introduced by Anwar S. Dil · John L. Idol, Jr. · br

· Too Late; Quite Contrary: The Mary and Newt Story; and 14 Stories by Stephen Dixon · Lee K. Abbott, Jr. · br

The South Carolina Review [v14 #2, Spring 1982] []

· Mark Twain’s Unsentimental Heroine · Trygve Thoreson · ar

· Naipaul at Wesleyan · M. Banning Eyre · ar

· The Goddess of Love and the Tree of Knowledge: Some Elements of Myth and Folklore in Chekhov’s The Cherry Orchard · Clayton A. & Joanna T. Hubbs · ar

· The Illusionist · Buford Scrivner · ss

· Pritzker Is Taking the Cure · Anthony E. Stockanes · ss

· The Mirror · Joyce Carol Oates · ss

· Eldorado · Louis Phillips · ss

· The Last House Tour in Savannah · Laurie Pons · ss

· Head-Phones · Sandra Schor · ss

· Black Tie · F. Barthelme · ss

· Her Dear Daddy · Priscilla Stewart Randolph · ss

· Rites of Passage · Ben Satterfield · ss

· After Reading “Blood, Hook, and Eye” · Roseanne Coggeshall · pm

· Poet · Laurence Donovan · pm

· You · Virginia Walter · pm

· Two Poems · David Citino · pm

· Three Poems · James Brooks · pm

· The Red Shoe · Paula Rankin · pm

· The Old Widow · Jane Hixon · pm

· The More the Rope Wears · Elizabeth Murawski · pm

· It Ended Like This · Warren Leamon · pm

· Letter to Alice · Cathy Smith-Bowers · pm

· I.2 · John Rosenwald · pm

· Coleridge & Co.: A Review Essay · Luther Tyler · br

· Beyond Formalism: The Politics of Interpretation · William E. Cain · br

· Dubious Persuasions by Jack Matthews; Ladies Who Knit for a Living by Anthony E. Stockanes · Lee K. Abbott, Jr. · br

The South Carolina Review [v15 #1, Fall 1982] []

· Ernest Hemingway and Thomas Wolfe · John L. Idol · ar

· “I Always Keep Seeing a Light as I Talk with Him”: Limning the Robert Frost/Ridgely Torrence Relationship · George Monteiro · ar

· Humboldt’s Gift and the Myth of the Artist in America · Fredrica K. Bartz · ar

· The Shirt · Stephen Dixon · ss

· Legs · Edward McShane · ss

· Sentence for a Nice Lady · Charlotte K. Haigh · ss

· Eldorado · Susan Lohafer · ss

· Jody Baxter Day · Laurie Pons · ss

· Mobility · Barbara Rich · ss

· The Queen of Hearts · S. F. Mickle · ss

· We Get Smashed and Our Endings Are Swift · Lee K. Abbott, Jr. · ss

· Going Down to Make Coffee · William Aarnes · pm

· Two Poems · Laurence Lieberman · pm

· Two Poems · F. C. Rosenberger · pm

· The Spirit in Ink and Colors · Norman Nathan · pm

· Circe’s Lover · Jan Chisholm · pm

· Three Poems · Marlene Youmans · pm

· Scarecro · Mary Vogt · pm

· The End of Literary Theory · William E. Cain · br

· Donald Barthelme’s Fiction: The Ironist Saved from Drowning by Charles Molesworth · Jerome Klinkowitz · br

· Nathaniel Hawthorne in His Times by James R. Mellow · John L. Idol · br

· Nathaniel Hawthorne: The English Experience, 1854-1864 by Raymona E. Hull · John L. Idol · br

· Byron’s Letters and Journals. Vol. XI (“For Freedom’s Battle”), ed. Leslie A. Marchand · Frederick W. Shilstone · br

· Byron’s Letters and Journals. Vol. XII (“The Trouble of an Index”), ed. Leslie A. Marchand · Frederick W. Shilstone · br

· Lady Tennyson’s Journal ed. James O. Hogue · Hallman B. Bryant · br

The South Carolina Review [v15 #2, Spring 1983] []

· James Dickey’s War Poetry: A “Saved, Shaken Life” · Ronald Bowman · ar

· The Serious Play of Interpretation · Marjorie E. Cook · ar

· A Letter That Will Never Be Written: An Excerpt from the Novel Elizabeth & James · George Garrett · ss

· Come On A Coming · Stephen Dixon · ss

· Myrtie’s Salvation · Bo Ball · ss

· Heavy Weather · Otis Douglas · ss

· Tullia · Harriet Gay · ss

· Survival · John Eberth · ss

· The Rat’s Scalp · James W. Lillie · ss

· Two Poems · Laurence Lieberman · pm

· Montauk Point, New York · Jon Daunt · pm

· Three Poems · J. W. Rivers · pm

· Dover (AFB), Deleware · Karl Watson · pm

· Two Poems · Susan Schaeffer · pm

· The Accident · Mark DeFoe · pm

· The Gramma Poems · Theresa Bacon · pm

· After the Wedding · Quitman Marshall · pm

· Invade Mecum: Coleridge, Austin, and the Tones of Deconstruction · Luther Tyler · br

· The Image of the City by Burton Pike · Alan Axelrod · br

· Flannery O’Connor: The Imagination of Extremity by Frederick Asals · Jan Nordby Gretlund · br

· The London Muse: Victorian Responses to the City by William Thesing · Hallman B. Bryant · br

· Evangelist of Race: The Germanic Vision of Houston Stewart Chamberlain by Geoffrey C. Field · Anthony Rudowski · br [Ref. Geoffrey C. Field]

· The Coincidental Art of Charles Brockden Brown by Norman S. Grabo · Eric J. Sundquist · br

· Critical Essays on Charles Brockden Brown by Bernard Rosenthal · Eric J. Sundquist · br

The South Carolina Review [v16 #1, Fall 1983] []

· The South Carolina Review as Little Magazine · The Editor · ed

· John Irving’s Aesthetics of Accessibility: Setting Free the Novel · Jane Bowers Hill · ar

· Pynchon, Hawkes, and Updike: Readers and the Paradox of Accessibility · Donald J. Greiner · ar

· Women Novelsits and Variations on the Uses of Obscurity · Zoreh T. Sullivan · ar

· The Aesthetics of Accessibility: Contemporary Poetry and Its Audience · Mary C. Williams · ar

· Technique as Metaphor in James Dickey’s Deliverance · John E. Loftis · ar

· Of Truth and Lies in Brownings Dramatic Monologues · John P. McGowan · ar

· Two Stories · Stephen Dixon · ss

· In Touch with God · Bo Ball · ss

· Ice · Warren Leamon · ss

· Quincy Lee’s Party · Roseanne Coggeshall · ss

· Mason · Richard Burgin · ss

· A Thirst for Music · John Ditsky · pm

· A Jewish Uncle Dies in Miami · Robert Parham · pm

· Two Poems · Peter Hancke · pm

· To William Aarnes · James McMakin · pm

· Two Poems · William Aarnes · pm

· Two Poems · Laurence Lieberman · pm

· A Long Branch Song · Robert Pinsky · pm

· Two Poems · Charles Edward Eaton · pm

· Birthmark · R. T. Smith · pm

· Eros at the World Kite Pageant by Laurence Lieberman · Robert W. Hill · br

· The Knife and Other Poems and Sewanee in Ruins by Richard Tillinghast · Robert W. Hill · br

· Proud and on My Feet by J.W. Rivers · Robert W. Hill · br

· The Day We Still Stand Here by Gary Margolis · Robert W. Hill · br

· The Thing King by Charles Edward Eaton · Robert W. Hill · br

· Saving the Text: Literature/Derrida/Philosophy by Geoffrey H. Hartman · William E. Cain · br

· Flannery O’Connor: The Imagination of Extremity by Frederick Asals · Jan Nordby Gretlund · br

· Welcome to Our City by Thomas Wolfe, edited by Richard S. Kennedy · John L. Idol, Jr. · br

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