Issues & Index Sources:  Summer 1993 – Summer 1994:

Science Fiction Index

Publishers:   Spellbound; Douglasville, GA
Editors:   Cathy Shanks
Formats:   quarto
Prices:   $6.00

A fantasy magazine for kids ages 9 to 13.

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A publication of the Small Press Genre Association meant to get more exposure for their members, containing 11 short stories and 10 poems.

Illustrated weekly that focused on news stories and society features, but also published occasional fiction such as the "F. T. Carrington, Inquiry Agent" series by J. Storer Clouston (24-Nov-1919 on).

Absorbed two other well-known weeklies, Black and White (1912) and The Graphic (1932); became a big slick by the 1920s.

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An "independent journal of the magical arts" that occasionally published fiction.

Pinup magazine that published some fiction.

Rebound issues of Snappy Stories and/or Live Stories. Subtitled "A Quarterly Magazine of `Telling Tales'".

Issues & Index Sources:  in 1950s

Publishers:   Paget Publications, 106 Glenthorne Road, Hammersmith, London
Prices:   2/6d

A slender publication, featuring six to eight racey short stories, interspersed with black and white nude or scantily-clad pin-up, purporting to be a US pulp magazine.

Comic book reprinting the text and illustrations of "spicy" stories that originally appeared in the spicy pulps such as Stolen Sweets, Tattle Tales, and Snappy between 1930 and 1936

Note that from late 1935 through late 1937, most issues appeared in two different versions - one uncensored and the other self-censored. The censored version was identifiable by a star within a box located at the top of the cover. The interior illustrations were typically "toned down" in the censored versions and some even had variant contents.

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Contains fiction spinoffs of an alternate-world air war games called Crimson Skies. #1 had story by Michael Stackpole; #2 by Robert Vardeman.

Spicy Armadillo Stories was divided into two sections. The first section published articles and features on the pulps, both serious and light-hearted. There was a wonderful column by George Evans called "George Evans' Scrapbook." Fan artists producing work for us included Paul McCall (we introduced him to pulp fandom and, in fact, printed the book on his coier), Peggy Ranson, Ron Wilber, Dan Aldredge, Kevin Duncan, Jim Garrison, Bobb Cotter, Mark Fults, George Evans, Wally jones and Bobb Cotter. Writers included David Bates, Jon Tuska, Link Hullar, Jerry Burge, Al Tonik and Sam Moskowitz.

The second section was called "The Armadillo Cub" and featured humorous stories about Page's characters The Armadillo (first created in 1957 for Dean Grennell's fanzine Grue; he showed up in plenty of other outlets, including Mike Shayne Mystery), and Nadir McGirk, about a misfit crew of thirtieth century space adventurers. The focus on this gradually changed to its heroine, Captain Shivers.

An eighth issue was "worked on but never published".

Spicy Detective Stories was one of the notorious Spicy pulps published by Culture Publications in the late 1930s which concentrated on a simple formula - fast action stories laced with sex. It ran for nine years under that title before the forces of reform forced it to change to the rather more sedate Speed Detective.

Note that from late 1935 through late 1937, most issues appeared in two different versions - one uncensored and the other self-censored. The censored version was identifiable by a star within a box located at the top of the cover. The interior illustrations were typically "toned down" in the censored versions and some even had variant contents.

Also in 1941 & 1942, most of the stories were retitled stories, attributed to "fake" authors, from earlier issues (or from other Cuture magazines) apparently as part of a fraud by the editors.

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This title probably does not exist. It does occur in the occasional magazine checklist but exhaustive research and inquiries have turned up absolutely no information on it.

The earliest reference to it is in a Bradford Day checklist of the early 1950's. Day lists the title as being British and says that it was published in the mid- 1930's, although he has no data on it.

Copies do not exist in either the British Library or Oxford's Bodleian Library, and no known collector or researcher has ever seen a copy of Spicy Horror Stories, so it is likely that this title is apocryphal, and that indexers after Day simply picked up his reference and incorporated it into their own work.