The FictionMags Index
Index by Name: Page 3345
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Erickson, Steve (chron.) (continued)
- * Linda Fiorentino in The Last Seduction, (ms) Black Clock #10, Spring/Summer 2009
- * The Long Goodbye, (ms) Black Clock #10, Spring/Summer 2009
- * The Long Goodbye (with Anthony Miller), (ms) Black Clock #10, Spring/Summer 2009
- * Lost Highway, (ms) Black Clock #10, Spring/Summer 2009
- * Magical Mystery Tour, the Beatles, (ms) Black Clock #20, Spring/Summer 2015
- * The Maltese Falcon, (ms) Black Clock #10, Spring/Summer 2009
- * Michael Caine in Get Carter, (ms) Black Clock #10, Spring/Summer 2009
- * Mona Lisa (with Anthony Miller), (ms) Black Clock #10, Spring/Summer 2009
- * Monterey Pop, D.A. Pennebaker, (ms) Black Clock #20, Spring/Summer 2015
- * Murder, My Sweet, (ms) Black Clock #10, Spring/Summer 2009
- * Naked City, (ms) Black Clock #10, Spring/Summer 2009
- * Nighthawks (with Anthony Miller), (ms) Black Clock #10, Spring/Summer 2009
- * Night Moves, (ms) Black Clock #10, Spring/Summer 2009
- * Only the Lonely, (ms) Black Clock #10, Spring/Summer 2009
- * Out of the Past, (ms) Black Clock #10, Spring/Summer 2009
- * “Park Avenue Beat”, (ms) Black Clock #10, Spring/Summer 2009
- * Paul Is Dead, (ss) Black Clock #2, Fall 2004/Winter 2005
- * Pickup on South Street, (ms) Black Clock #10, Spring/Summer 2009
- * The Postman Always Rings Twice, (ms) Black Clock #10, Spring/Summer 2009
- * Primary Notes 2008: The Hillary-Barack Emails (with Michael Ventura), (ss) Black Clock #9, Spring/Summer 2008
- * The Psychedelic Experience, Timothy Leary, Ralph Metzner & Richard Alpert, (ms) Black Clock #20, Spring/Summer 2015
- * The Real Cool Killers (with Anthony Miller), (ms) Black Clock #10, Spring/Summer 2009
- * Red Harvest, (ms) Black Clock #10, Spring/Summer 2009
- * Richard Widmark in Kiss of Death, (ms) Black Clock #10, Spring/Summer 2009
- * Samuel R. Delany: A Conversation, (iv) Black Clock #1, March 2004 [Ref. Samuel R. Delany]
- * Savage Night, (ms) Black Clock #10, Spring/Summer 2009
- * Sheryl Lee in Twin Peaks: Fire Walk with Me, (ms) Black Clock #10, Spring/Summer 2009
- * “Skull and Roses,” Alton Kelley and Mouse, (ms) Black Clock #20, Spring/Summer 2015
- * Strange Days, the Doors, (ms) Black Clock #20, Spring/Summer 2015
- * “Sunny Goodge Street,” Donovan, (ms) Black Clock #20, Spring/Summer 2015
- * Sunshine Superman, Donovan, (ms) Black Clock #20, Spring/Summer 2015
- * Sweet Smell of Success, (ms) Black Clock #10, Spring/Summer 2009
- * The Talented Mr. Ripley, (ms) Black Clock #10, Spring/Summer 2009
- * “Theme from Peter Gunn”, (ms) Black Clock #10, Spring/Summer 2009
- * “Theme from The Bad and the Beautiful”, (ms) Black Clock #10, Spring/Summer 2009
- * Thief, (ms) Black Clock #10, Spring/Summer 2009
- * The Third Man, (ms) Black Clock #10, Spring/Summer 2009
- * Three Characters in Search of an Election, (ed) Black Clock #9, Spring/Summer 2008
- * “Time Has Come Today,” the Chambers Brothers, (ms) Black Clock #20, Spring/Summer 2015
- * “Tomorrow Never Knows,” the Beatles, (ms) Black Clock #20, Spring/Summer 2015
- * Touch of Evil (with Anthony Miller), (ms) Black Clock #10, Spring/Summer 2009
- * Vertigo, (ms) Black Clock #10, Spring/Summer 2009
- * The Violation of Sally Hemings, (ss) Esquire April 1993
- * “White Room,” Cream, (ms) Black Clock #20, Spring/Summer 2015
- * The Wild Party, (ms) Black Clock #10, Spring/Summer 2009
- * William Holden in Sunset Boulevard, (ms) Black Clock #10, Spring/Summer 2009
- * Zeroville, (ss) McSweeney’s Enchanted Chamber of Astonishing Stories ed. Michael Chabon, Vintage, 2004
- * Zodiac (with Anthony Miller), (ms) Black Clock #10, Spring/Summer 2009
_____, ed.
- * Editor: Black Clock #1 Mar, #2 Fll/Wtr 2004, #3 Spr/Sum, #4 Fll/Wtr 2005, #5 Spr/Sum, #6 Fll/Wtr 2006, #7 Spr/Sum, #8 Fll/Wtr 2007, #9 Spr/Sum 2008,
#10 Spr/Sum, #11 Fll/Wtr 2009, #12 Spr/Sum, #13 Fll/Win 2010
#14 Sum/Fll 2011, #15 Spr/Sum 2012, #16 Wtr/Spr, #17 Sum/Fll 2013, #18 Spr/Sum, #19 Fll/Win 2014, #20 Spr/Sum 2015, #21 Spr/Sum 2016
_____, [ref.]
- * Arc d’X by Bruce Holland Rogers, (br) The New York Review of Science Fiction #67, March 1994
- * Days Between Stations by Paul Kincaid, (br) Foundation #44, Winter 1988/1989
- * Defying Rational Chronology: Time and Identity in the Work of Steve Erickson by Paul Kincaid, (ar) Foundation #58, Summer 1993
- * Our Ecstatic Days by Paul Kincaid, (br) The New York Review of Science Fiction #204, August 2005
- * Rubicon Beach by Elizabeth Hand, (br) Science Fiction Eye #3, March 1988
- * Rubicon Beach by John Clute, (br) Interzone #31, September/October 1989
- * Science Fiction on the Periphery: The Literary Novels of Steve Erickson, Jim Dodge, Denis Johnson, and Larissa Lai by Robert Guffey, (ar) The New York Review of Science Fiction #202, June 2005
- * Secret Maps: The Topography of Fantasy and Morality in the Work of Steve Erickson by Paul Kincaid, (ar) Foundation #57, Spring 1993
- * Steve Erickson: Ecstasy, Chaos & the Last Battleground by Andrew Hedgecock, (iv) Interzone #205, August 2006
- * Steve Erickson, trapped in a concrete bunker—with only the Twentieth Century for company, has just been unearthed at an archaeological dig in Los Angeles by Ron Drummond, (ar) Science Fiction Eye #12, Summer 1993
- * Surfing the Slipstream by Ellen Datlow, Robert K. J. Killheffer & Lawrence Person, (iv) Nova Express Fall/Winter 1999
- * Tours of the Black Clock by Gordon Van Gelder, (br) The New York Review of Science Fiction #8, April 1989
- * Tours of the Black Clock by John Clute, (br) Interzone #31, September/October 1989
[]Ericson, David B. (fl. 1970s) (chron.)
- * How to Read Fossil Records in Ocean Sediments (with Goesta Wollin), (ar) March of Science ed. Clifford D. Simak, Harper & Row, 1971
- * Piecing Together the Evidence for a Pleistocene Chronology (with Goesta Wollin), (ar) March of Science ed. Clifford D. Simak, Harper & Row, 1971
- * Search for Ice Age History (with Goesta Wollin), (ar) March of Science ed. Clifford D. Simak, Harper & Row, 1971
- * Techniques of Obtaining and Studying Ocean Sediments (with Goesta Wollin), (ar) March of Science ed. Clifford D. Simak, Harper & Row, 1971
[]Ericson, George Melvin (1893-1936); used pseudonym Eugene Iverd (chron.)
- * [front cover], (cv) The Saturday Evening Post Mar 13, Apr 17 1926, Jun 25, Jul 30, Oct 1 1927, Feb 4, Mar 3, Jul 28, Sep 15,
Nov 17 1928, Jan 19 1929, Apr 26 1930
Jan 3, Feb 21 1931, Jun 11, Aug 27 1932, Mar 24, Jul 21, Aug 18, Oct 6, Nov 3, Nov 17 1934,
Jun 22 1935
Aug 1 1936, as by Eugene Iverd
- * [front cover], (cv) The Elks Magazine November 1928, as by Eugene Iverd
- * [front cover], (cv) The American Magazine April 1932, as by Eugene Iverd
- * [front cover], (cv) Ladies’ Home Journal May, Sep 1934, as by Eugene Iverd
- * [front cover], (cv) The Farmer’s Wife October 1937, as by Eugene Iverd
- * [illustration(s)], (il) The Saturday Evening Post October 22 1932, as by Eugene Iverd
- * [illustration(s)], (il) McCall’s Magazine Jun 1933, Jan, Apr 1935, as by Eugene Iverd
- * [illustration(s)], (il) Ladies’ Home Journal April 1936, as by Eugene Iverd
_____, [ref.]
[]Ericson, M. P. (fl. 2000s-2020s) (chron.)
- * Afterbirth, (vi) New Myths #4, September 2008
- * Ashes to Ashes, (ss) Abyss & Apex #12, November/December 2004
- * Blood Debt, (nv) Andromeda Spaceways Inflight Magazine #34, 2008
- * Healing Stone, (ss) Andromeda Spaceways Magazine #84, September 2021
- * Lost Soul, (ss) Clarkesworld #12, September 2007
- * Lovers Sleeping, (ss) Hub Magazine #64, September 3 2008
- * The Prince and the Crows, (ss) Dark Horizons #44, Autumn/Winter 2003
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