The General Fiction Magazine Index
Index by Name: Page 365
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Borah, William E(dgar) (1865-1940) (about) (chron.)
- * Bigger Guns or Better Homes?, (ar) Collier’s December 7 1929
- * Can Our Government Survive?, (ar) Liberty May 2 1936
- * The Citizenship of Idaho, (ar) The Pacific Monthly February 1908
- * The Farmer’s Enemy, (??) Collier’s February 1 1936
- * Free Speech, (ar) Liberty December 26 1925
- * Not Gold Alone, (ar)
- * 167,000,000 New Customers, (ar) Cosmopolitan July 1933
- * The People’s Prerogative, (ar) The Saturday Evening Post May 6 1911
- * Speak Up or Dry Up, (ar) Collier’s June 8 1929
- * Where Would the Money Go?, (??) Collier’s July 18 1931
- * Why Statesmen Straddle, (ar) Collier’s March 21 1931
Borchardt, Norman (1891-1975) (chron.)
- * [illustration(s)], (il) The Red Book Magazine Jan, Mar 1913, Jan, Mar, May, Nov 1914, Mar 1915
- * [illustration(s)], (il) Brief Stories Magazine May, Jun 1924
- * [illustration(s)], (il) McClure’s Dec 1927, Feb, Mar 1928
Borden, Mary; [Mrs. Edward Louis Spears] (1886-1968) (about) (chron.)
- * Four O’Clock, (ss) The Royal Magazine June 1926
- * Gay New Grandmother, (ar) Nash’s—Pall Mall Magazine August 1932
- * I Champion the English Climate, (ar) Nash’s—Pall Mall Magazine October 1930
- * In Compliment to the Englishman, (ar) Cassell’s Magazine January 1932
- * Is This the Face…?, (ar) Nash’s—Pall Mall Magazine June 1933
- * Man—The Untidy Animal, (ar) Pictorial Review June 1933
- * A Meeting in Mayfair, (ss) The Royal Magazine May 1925
- * The Most Valuable Commodity in the World, (ar) Nash’s—Pall Mall Magazine June 1932
- * Moth, Rust and Rubbish, (ar) Nash’s—Pall Mall Magazine January 1932
- * Nonsensical Marriage, (ar) Nash’s—Pall Mall Magazine November 1931
- * Our Much Abused Stomachs, (ar) Nash’s—Pall Mall Magazine April 1932
- * Our Very English Revolution, (ar) Nash’s—Pall Mall Magazine March 1932
- * The Pleasures of Being Hard Up, (ar) Nash’s—Pall Mall Magazine December 1931
- * Poor Divorced Darlings, (ar) Nash’s—Pall Mall Magazine July 1933
- * Tapestry Needlework, (ss) The Royal Magazine January 1925
- * The Technique of Courtship, (ar) Good Housekeeping (UK) November 1932
- * The Technique of Marriage:
* ___ Man—The Untidy Animal, (cl) Pictorial Review June 1933
- * This Can’t Go On, (ss) The Royal Magazine December 1925
- * What Is Right—What Is Wrong?, (ar) Nash’s—Pall Mall Magazine November 1932
- * Women I Envy, (ar) Nash’s—Pall Mall Magazine January 1933
_____, [ref.]
Borders, Fred (fl. 1950s-1960s) (chron.)
- * Brain Teaser, (pz) John Bull Everybody’s Weekly May 23 1959
- * Everybody’s Puzzling, (pz) John Bull and Everybody’s Weekly May 2, May 9, May 16, Jun 13, Jun 20, Jun 27, Jul 4, Jul 11/Aug 29, Sep 5, Sep 19, Sep 26,
Oct 3, Oct 10, Oct 17, Oct 24, Oct 31, Nov 7, Nov 14, Nov 21, Nov 28, Dec 5, Dec 12, Dec 19,
Dec 26 1959
Jan 2, Jan 9, Jan 16, Jan 23, Jan 30, Feb 6 1960
Borg, Frederick (fl. 1940s-1960s) (chron.)
- * The Adventurer, (ss) Argosy August 1966
- * Afternoon of Terror, (ss) The Saturday Evening Post April 5 1958
- * The Bachelor Couldn’t Sleep, (ss) The Saturday Evening Post January 17 1959
- * A Big Girl Now, (ss) The Saturday Evening Post September 1 1956
- * Evidence of Infidelity, (ss) The Saturday Evening Post January 7 1961
- * Lovely to Look At, (??) Collier’s January 11 1947
- * Men Are Such Stinkers, (ss) The Saturday Evening Post May 7 1955
- * Mondays Are Miserable, (ss) The Saturday Evening Post March 12 1960
- * Once to Every Woman, (ss) Collier’s June 12 1948
- * One Day, One Life, (ss) Collier’s July 17 1948
- * Playboy’s Choice, (ss) The Saturday Evening Post August 15 1959
- * Rich Girl’s Whim, (ss) The Saturday Evening Post September 27 1952
Borges, Jorge Luís (1899-1986) (about) (chron.)
- * A.D. 991, (ss) The Atlantic Monthly November 1980
- * The Aleph, (ss) The New Yorker January 7 1967; translated from the Spanish (“El Aleph”, Sur, September 1945) by Anthony Kerrigan.
- * The Anthropologist Anxieties, (ss) The New Yorker February 20 1971
- * Autobiographical Notes, (bg) The New Yorker September 19 1970; translated by Norman Thomas di Giovanni
- * Avelino Arredondo, (ss) The New Yorker July 11 1977; translated by Norman Thomas di Giovanni
- * The Biography of Tadeo Isidoro Cruz (1829-1874), (ss) The New Yorker January 7 1967; translated from the Spanish (“Biografía de Tadeo Isidoro Cruz (1829-1874)”, Sur, December 1944) by Anthony Kerrigan.
- * The Book of Sand, (ss) The New Yorker October 25 1976; translated by Norman Thomas di Giovanni
- * Borges: A Dream, (vi) El Mercurio December 27 1983; translated by Elizabeth Welborn
- * The Challenge, (ss) The New Yorker May 23 1970; translated from the Spanish (“El desafío”, La Nación, December 28, 1952) by Norman Thomas di Giovanni.
- * The Congress, (nv) The New Yorker November 6 1971; translated by Norman Thomas di Giovanni
- * The Dead Man, (ss) The New Yorker January 7 1967; translated from the Spanish (“El muerto”, Sur, November 1946) by Anthony Kerrigan.
- * The Disk, (ss) The New Yorker June 21 1976
- * The Elder Lady, (ss) The New Yorker September 25 1971
- * The End of the Duel, (ss) The New Yorker March 13 1971; translated by Norman Thomas di Giovanni
- * An Evening with Ramon Bonavena, (ss) The New Yorker December 19 1970
- * The Gospel According to Mark, (ss) The New Yorker October 23 1971; translated from the Spanish (“El evangelio según Marcos”, La Nación, August 1970) by Norman Thomas di Giovanni.
- * Ibn Hakkan Al-Bokhari—Dead in His Labyrinth, (ss) The New Yorker April 25 1970; translated from the Spanish (“Abenjacán el Bojarí, muerto en su laberinto”, Sur, August 1951) by Norman Thomas di Giovanni.
- * Imaginary Beings, (ss) The New Yorker October 4 1969
- * The Immortals, (ss) The New Yorker February 14 1970; translated from the Spanish (“El inmortal”, El Aleph, Editorial Losada, 1949) by Norman Thomas di Giovanni.
- * Juan Murana, (ss) The New Yorker March 27 1971
- * The Kenning, (ss) The New Yorker January 26 1976
- * A Man on the Moon, (iv) New Orleans Review 1982
- * The Man on the Threshold, (ss) The New Yorker April 4 1970; translated from the Spanish (“El hombre en el umbral”, La Nación, April 20, 1952) by Norman Thomas di Giovanni.
- * The Meeting, (ss) The New Yorker August 8 1970; translated from the Spanish (“El encuentro”, La Prensa, October 5, 1969) by Norman Thomas di Giovanni.
- * The Mirror and the Mask, (ss) The New Yorker June 6 1977; translated by Norman Thomas di Giovanni
- * A Museum of Secret Affinities, (vi) Harper’s Magazine June 2000
- * The Night of the Gifts, (ss) The New Yorker August 15 1977; translated by Norman Thomas di Giovanni
- * The Other Death, (ss) The New Yorker November 2 1968; translated from the Spanish (“La otra muerte”, El Aleph, Editorial Losada, 1949) by Norman Thomas di Giovanni.
- * Shakespeare’s Memory, (ss) The New Yorker April 13 1998
- * Sonnet for a Tango in the Twilight, (pm) Sonnets by Jorge Luis Borges, Penguin Classics, 2010
- * There Are More Things, (ss) The Atlantic Monthly July 1975; translated by Norman Thomas di Giovanni
- * Three Poems, (pm) The Atlantic Monthly July 1980
- * Three Stories, (gp) The New Yorker January 7 1967
- * Tom Castro, the Implausible Impostor, (ss) Harper’s Magazine October 1971; translated from the Spanish (“El Impostor Inverosímil Tom Castro”, Crítica, September 30, 1933) by Norman Thomas di Giovanni.
- * Undr, (ss) The New Yorker August 1 1977; translated by Norman Thomas di Giovanni
- * The Unworthy Friend, (ss) Harper’s Magazine January 1971; translated by Norman Thomas di Giovanni
- * Utopia of a Tired Man, (ss) The New Yorker April 14 1975
- * The Widow Ching, Lady Pirate, (ss) Esquire August 1972; translated from the Spanish (“La Viuda Ching, pirata”, Crítica, August 26, 1933) by Norman Thomas di Giovanni.
_____, adapt.
- * The Chamber of Statues, (ss) The New Yorker January 1 1972; translated from the Spanish (“La Cámera de las Estatuas”, Crítica, December 2, 1933), itself adapted from The Thousand and One Nights Nos. 271 & 272 by Norman Thomas di Giovanni.
- * The Mirror of Ink by Richard F. Burton, (ss) The New Yorker January 1 1972; translated from the Spanish (“El espejo de tinta”, anonymously, Crítica, September 30, 1933), itself adapted from The Lake Regions of Central Africa (1860) by Norman Thomas di Giovanni.
- * Tale of the Two Dreamers, (vi) The New Yorker January 1 1972; translated from the Spanish (“2 Que Soñaron”, anonymously, Crítica, June 23, 1934), itself adapted from The Thousand and One Nights No. 351 by Norman Thomas di Giovanni.
- * A Theologian in Death by Emanuel Swedenborg, (ss) The New Yorker January 1 1972; translated from the Spanish (“Un Teólogo”, Crítica, June 23, 1934), itself adapted from Arcana Coelestia (1749-1756) by Norman Thomas di Giovanni.
- * The Wizard Postponed by Juan Manuel, (ss) The New Yorker January 1 1972; translated from the Spanish (“El Brujo Postergado”, anonymously, Crítica, September 2, 1933), itself adapted from Libro de los enxiemplos del Conde Lucanor et de Patronio (1335) by Norman Thomas di Giovanni.
_____, [ref.]
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