The FictionMags Index

Index by Date: Page 2350

Ellison, Harlan (Jay) (books) (items) (continued)
• The Glass Teat: Installment 77, (cl) Los Angeles Free Press September 4 1970
• The Glass Teat: Installment 78, (cl) Los Angeles Free Press September 11 1970
• The Glass Teat: Installment 79, (cl) Los Angeles Free Press September 18 1970
• The Glass Teat: Installment 80: The New Season: Part One, (cl) Los Angeles Free Press September 25 1970
• Joe, (mr) Los Angeles Free Press September 25 1970
• The Glass Teat: Installment 81: The New Season: Part Two, (cl) Los Angeles Free Press October 9 1970
• The Glass Teat: Installment 82: The Whimper of Whipped Dogs Teleplay: Part One, (pl) Los Angeles Free Press October 30 1970
• The Glass Teat: Installment 83: The Whimper of Whipped Dogs Teleplay: Part Two, (pl) Los Angeles Free Press November 6 1970
• The Glass Teat: Installment 84: The Whimper of Whipped Dogs Teleplay: Part Three, (pl) Los Angeles Free Press November 13 1970
• The Glass Teat: Installment 85: The Whimper of Whipped Dogs Teleplay: Part Four, (pl) Los Angeles Free Press November 20 1970
• The Glass Teat: Installment 86: The Whimper of Whipped Dogs Teleplay: Part Five, (pl) Los Angeles Free Press November 27 1970
• The Glass Teat: Installment 87, (cl) Los Angeles Free Press December 4 1970
• The Glass Teat: Installment 88, (cl) Los Angeles Free Press December 11 1970
• The Glass Teat: Installment 89, (cl) Los Angeles Free Press December 18 1970
• The Glass Teat: Installment 90, (cl) Los Angeles Free Press December 25 1970
• A Blue Note for Bayou Sex Cat, (ss) Pix December 1970
• One Life, Furnished in Early Poverty, (ss) Orbit 8 ed. Damon Knight, Putnam, 1970
• The Song the Zombie Sang (with Robert Silverberg), (ss) Cosmopolitan December 1970
• The Glass Teat, (co) Ace (pb), 1970
• The Glass Teat, (nf) Ace, 1970
• Comic of the Absurd, (ar) All in Color for a Dime ed. Richard A. Lupoff & Don Thompson, Arlington House, 1970
• The Glass Teat: Afterword: 30 January 1970—Addendum to Dayton, (cl) The Glass Teat, Ace, 1970
• “Our Little Miss”, (ar) Los Angeles Free Press 1970
• Rock God, (ss) Creepy (comic) #32, 1970
• 23″ Worth of Introduction, (in) The Glass Teat, Ace, 1970
• The Glass Teat: Installment 91, (cl) Los Angeles Free Press January 1 1971
• The Glass Teat: Installment 92, (cl) Los Angeles Free Press January 8 1971
• The Glass Teat: Installment 93: The Red Man’s Burden: Part One, (cl) Los Angeles Free Press January 15 1971
• The Glass Teat: Installment 94: The Red Man’s Burden: Part Two, (cl) Los Angeles Free Press January 29 1971
• Partners in Wonder, (co) Walker & Co. (hc), January 1971
• The Human Operators [Kyben] (with A. E. van Vogt), (nv) The Magazine of Fantasy and Science Fiction January 1971
• Introduction to “A Toy for Juliette”, (is) Partners in Wonder, Walker US, 1971
• Introduction to “Brillo”, (is) Partners in Wonder, Walker US, 1971
• Introduction to “Come to Me Not in Winter’s White”, (is) Partners in Wonder, Walker US, 1971
• Introduction to “I See a Man Sitting on a Chair, and the Chair Is Biting His Leg”, (is) Partners in Wonder, Walker US, 1971
• Introduction to “Rodney Parish for Hire”, (is) Partners in Wonder, Walker US, 1971
• Introduction to “Runesmith”, (is) Partners in Wonder, Walker US, 1971
• Introduction to “Street Scene”, (is) Partners in Wonder, Walker US, 1971
• Introduction to “Survivor #1”, (is) Partners in Wonder, Walker US, 1971
• Introduction to “The Human Operators”, (is) Partners in Wonder, Walker US, 1971
• Introduction to “The Kong Papers”, (is) Partners in Wonder, Walker US, 1971
• Introduction to “The Power of the Nail”, (is) Partners in Wonder, Walker US, 1971
• Introduction to “The Song the Zombie Sang”, (is) Partners in Wonder, Walker US, 1971
• Introduction to “Wonderbird”, (is) Partners in Wonder, Walker US, 1971
• Sons of Janus, (in) Partners in Wonder, Walker US, 1971
• The Glass Teat: Installment 95: How I Came to Love Peggy Lipton: Part One, (cl) Los Angeles Free Press February 12 1971
• The Glass Teat: Installment 96: How I Came to Love Peggy Lipton: Part Two, (cl) Los Angeles Free Press February 19 1971
• The Glass Teat: Installment 97, (cl) Los Angeles Free Press March 5 1971
• The Glass Teat: Installment 98: The Great Rape: Part One, (cl) Los Angeles Free Press March 12 1971
• The Glass Teat: Installment 99: The Great Rape: Part Two, (cl) Los Angeles Free Press March 19 1971
• The Glass Teat: Installment 100, (cl) Los Angeles Free Press March 26 1971
• Alone Against Tomorrow, (co) Macmillan (hc), March 1971
• The Song of the Soul, (in) Alone Against Tomorrow, Macmillan, 1971
• Dreamers on the Barricades, (ar) Clarion ed. Robin Scott Wilson, Signet, 1971
• Erotophobia, (ss) Penthouse (UK) August 1971
• At the Mouse Circus, (ss) New Dimensions 1 ed. Robert Silverberg, Doubleday, 1971
• Introduction to “O Ye of Little Faith”, (is) SF: Authors’ Choice 3 ed. Harry Harrison, Putnam, 1971
• Silent in Gehenna, (ss) The Many Worlds of Science Fiction ed. Ben Bova, Dutton, 1971
• Corpse, (ss) The Magazine of Fantasy and Science Fiction January 1972
• An Assault of New Dreamers, (in) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “A Mouse in the Walls of the Global Village”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “And the Sea Like Mirrors”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “Bed Sheets Are White”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “Bounty”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “Ching Witch!”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “Christ, Old Student in a New School”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “Chuck Berry, Won’t You Please Come Home?”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “Elouise and the Doctors of the Planet Pergamon”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “Empire of the Sun”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “Epiphany for Aliens”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “Eye of the Beholder”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “For Value Received”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “Getting Along”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “Harry the Hare”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “In Re Glover”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “In the Barn”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “King of the Hill”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “Lamia Mutable”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “Last Train to Kankakee”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “Mathoms from the Time Closet”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “Monitored Dreams and Strategic Cremations”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “Moth Race”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “Ozymandias”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “Soundless Evening”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “Still-Life”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “Stoned Counsel”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “The 10:00 Report Is Brought to You by…”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “The Big Space Fuck”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “The Counterpoint of View”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “The Funeral”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “The Milk of Paradise”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “The Test-Tube Creature, Afterward”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “The Word for World Is Forest”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “Things Lost”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “Time Travel for Pedestrians”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “Tissue”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “Totenbüch”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “When It Changed”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “With a Finger in My I”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “With the Bentfin Boomer Boys on Little Old New Alabama”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “☁”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Introduction to “Zero Gee”, (is) Again, Dangerous Visions ed. Harlan Ellison, Doubleday, 1972
• Silent Running, (mr) The Staff March 31 1972
• The Glass Teat: Installment 101, (cl) Rolling Stone May 11 1972
• The Glass Teat: Installment 102, (cl) Rolling Stone May 25 1972
• You Are What You Write, (ar) Clarion II ed. Robin Scott Wilson, Signet, 1972
• The Doomsman/The Thief of Thoth (with Lin Carter), (co) Belmont/Tower (pb), July 1972
• Basilisk, (ss) The Magazine of Fantasy and Science Fiction August 1972
• Goodbye, Gypsy, (ar) Knight August 1972
• Everything I Know About My Father, (ar) Los Angeles Free Press October 26 1972
• Valerie, (ar) Los Angeles Free Press November 2 1972, etc.
• Getting Stiffed, (ar) Los Angeles Free Press November 30 1972
• Harlan Ellison Replies, (ms) Los Angeles Free Press December 7 1972, etc.
• The Tyranny of the Weak, and Some Foreshadowing, (ar) Los Angeles Free Press December 7 1972
• With Bloch and Bormann in Brazil, (ar) Los Angeles Free Press December 14 1972
• The First of Three Culinary Comments, (ar) Los Angeles Free Press December 21 1972
• No Offense Intended, but Fuck Xmas!, (ar) Los Angeles Free Press December 28 1972
• Snake in the Crypt, (ss) Knight December 1972
• My Father, (ar) Los Angeles Free Press 1972
• On the Downhill Side, (ss) Universe 2 ed. Terry Carr, Ace, 1972
• The Day I Died, (ar) Los Angeles Free Press January 4 1973
• Screening Room: 1st Installment, (ar) The Staff January 19 1973
• Screening Room: 2nd Installment, (ar) The Staff February 16 1973
• A Sort of an Interview with Peter Boyle, (iv) The Staff February 16 1973 [Ref. Peter Boyle]
• Screening Room: 3rd Installment, (ar) The Staff March 2 1973
• Screening Room: 4th Installment, (ar) The Staff March 23 1973
• Fair Weather Friends, Summer Soldiers, and Sunshine Patriots, (ar) Los Angeles Free Press March 29 1973
• All the Sounds of Fear, (co) Panther (pb), March 1973
• The Deathbird, (nv) The Magazine of Fantasy and Science Fiction March 1973
• Troubling Thoughts About Godhood, (ar) Los Angeles Free Press April 6 1973, etc.
• Bless That Pesky Wabbit, (ar) Los Angeles Free Press April 19 1973
• Bleeding Stones, (ss) Vertex April 1973
• The Whimper of Whipped Dogs, (ss) Bad Moon Rising ed. Thomas M. Disch, Harper & Row, 1973
• Where Shadow Collides with Reality: A Preamble, (ar) Los Angeles Free Press May 11 1973
• When I Was a Hired Gun, (ar) Los Angeles Free Press May 25 1973, etc.
• Darkness in Magic Caverns, (ar) American Film Institute Report May 1973
• Neon, (iw) The Haunt of Horror June 1973
• A Rare, Kindly Thought, (ar) Los Angeles Free Press July 12 1973
• 3 Small Pleasures for a More Endurable Existence, (ar) Los Angeles Free Press July 19 1973
• Hindsight: 480 Seconds, (ss) Future City ed. Roger Elwood, Trident, 1973
• Varieties of Venue, (ar) The Los Angeles Weekly News August 9 1973
• Why I Fantasize About Using an AK-47 on Teenagers, (ar) The Los Angeles Weekly News August 16 1973
• In Which the Imp of Delight Tries to Make the World Smile, (ar) The Los Angeles Weekly News August 23 1973
• I Go to Bed Angry Every Night, and Wake Up Angrier the Next Morning, (ar) The Los Angeles Weekly News August 30 1973
• Neon, (ss) The Haunt of Horror August 1973
• Ahbhu, (ar) The Los Angeles Weekly News September 6 1973
• Death Row, San Quentin, (ar) The Los Angeles Weekly News September 27 1973, etc.
• The Whore with a Heart of Iron Pyrites; or, Where Does a Writer Go to Find a Maggie?, (ar) Those Who Can: A Science Fiction Reader ed. Robin Scott Wilson, Mentor, 1973
• College Days, (ar) The Los Angeles Weekly News October 25 1973, etc.
• Breaking and Entering Pandora’s Box, (fa) Crazy (comic) October 1973
• Cold Friend, (ss) Galaxy Science Fiction October 1973
• When Dreams Become Nightmares: Some Cautionary Notes on the Clarion Experience, (ar) Clarion III ed. Robin Scott Wilson, Signet, 1973
• The Death-Wish of a Golden Idea, (ar) The Los Angeles Weekly News November 1 1973
• The Last of Three Culinary Comments, Gonzo-Style, (ar) The Los Angeles Weekly News November 22 1973
• Out of the Mail Bag, (ar) The Los Angeles Weekly News November 29 1973
• Oh, Dear, He’s Not Going to Do Xmas Again, Is He?, (ar) The Los Angeles Weekly News December 13 1973
• Kiss of Fire, (ss) Two Views of Wonder ed. Thomas N. Scortia & Chelsea Quinn Yarbro, Ballantine, 1973
• Contents of The Last Dangerous Visions as of September 13, 1973, (ms) The Alien Critic #7, November 1973
• Ellison on Ellison, (ar) 1973 Lunacon Program Book, Lunacon, 1973
• Thoughts on Turning Eighteen, (aw) Harlan Ellison: A Bibliographical Checklist by Leslie Kay Swigart, Williams Publishing Co., 1973
• Ellison’s Grammatical Guide and Glossary for Goyim, (ms) Wandering Stars ed. Jack M. Dann, Harper & Row, 1974
• I’m Looking for Kadak, (nv) Wandering Stars ed. Jack M. Dann, Harper & Row, 1974
• Knox, (ss) Crawdaddy March 1974
• The Time of the Eye, (co) Panther (pb), May 1974
• Afterword to “Catman”, (as) Final Stage ed. Edward L. Ferman & Barry N. Malzberg, Charterhouse, 1974
• Catman, (nv) Final Stage ed. Edward L. Ferman & Barry N. Malzberg, Charterhouse, 1974
• Introduction, in Brief, (in) The Time of the Eye, Panther, 1974
• Gale Warning, (in) Stormtrack by James Sutherland, Pyramid, 1974
• Somehow, I Don’t Think We’re in Kansas, Toto, (ar) Genesis June 1974
• The Terminal Man, (mr) Vertex June 1974
• Ellison Wonderland (var. 1), (co) Signet (pb), August 1974
• The Man on the Mushroom, (in) Ellison Wonderland (var. 1), Signet, 1974
• Ecowareness, (vi) Sideshow September 1974
• Adrift Just Off the Islets of Langerhans: Latitude 38° 54′ N, Longitude 77° 00′ 13″ W, (nv) The Magazine of Fantasy and Science Fiction October 1974
• Science Fiction: Turning Reality Inside-Out, (ar) New Times October 1974
• Sleeping Dogs [Kyben], (ss) Analog Science Fiction—Science Fact October 1974
• Approaching Oblivion, (co) Walker & Co. (hc), December 1974
• Reaping the Whirlwind, (in) Approaching Oblivion, Walker US, 1974
• Stealing Tomorrow, (is) Trumpet #11, 1974
• Deathbird Stories, (co) Harper & Row (hc), February 1975
• Phoenix Without Ashes (with Edward Bryant), (n.) Fawcett Gold Medal (pb), February 1975
• The Glass Teat Revisited: A Supplementary Introduction / 1975, (in) The Glass Teat, Pyramid, 1975
• Oblations at Alien Altars, (in) Deathbird Stories, Harper & Row, 1975
• Paingod and Other Delusions (var. 1), (co) Pyramid Books (pb), March 1975
• Your Basic Crown of Thorns, (in) Paingod and Other Delusions (var. 1), Pyramid Books, 1975
• Memo ’75, (in) Memos from Purgatory, Pyramid, 1975
• Announcement from Harlan Ellison, (lt) Science Fiction Review #13, May 1975
• Croatoan, (ss) The Magazine of Fantasy and Science Fiction May 1975
• “Repent, Harlequin!” Said the Ticktockman, (cs) Unknown Worlds of Science Fiction May 1975; adapted by Roy Thomas
• Some Afterthoughts on Delap’s Nonfiction Fantasy by the Subject, (ar) Science Fiction Review #13, May 1975 [Ref. Richard Delap]
• The Other Glass Teat, (co) Pyramid (pb), June 1975
• The Other Glass Teat (unpublished), (nf) Pyramid, June 1975
• Days of Blood and Sorrow, (in) The Other Glass Teat, Pyramid, 1975
• In Fear of K, (ss) Vertex June 1975
• Author’s Note, (ms) Spider Kiss, Pyramid Books, 1975, etc.
• The ΦΨΩ of A B C, (in) Autumn Angels by Arthur Byron Cover, Pyramid, 1975
• Gentleman Junkie and Other Stories of the Hung-Up Generation (var. 1), (co) Pyramid (pb), August 1975
• The Children of Nights, (in) Gentleman Junkie and Other Stories of the Hung-Up Generation (var. 1), Pyramid, 1975
• The Deadly Streets (var. 1), (co) Pyramid (pb), September 1975
• Avoiding Dark Places, (in) The Deadly Streets (var. 1), Pyramid, 1975
• Shatterday, (ss) Gallery September 1975
• No Doors, No Windows, (co) Pyramid (pb), November 1975
• Blood/Thoughts, (in) No Doors, No Windows, Pyramid, 1975
• Blood/Thoughts, (ex) No Doors, No Windows, Pyramid, 1975
• Nedra at f:5.6, (ss) No Doors, No Windows, Pyramid, 1975
• Tired Old Man, (ss) No Doors, No Windows, Pyramid, 1975
• “The New York Review of Bird”, (nv) Weird Heroes Volume 2 ed. Byron Preiss, Pyramid, 1975
• The Boulevard of Broken Dreams, (vi) Los Angeles Review #1, 1975
• The City on the Edge of Forever, (pl) Six Science Fiction Plays ed. Roger Elwood, Washington Square Press, 1976
• Defeating the Green Slime! (Honest to God, a) Modest Proposal, (ar) SFWA Bulletin #56, January 1976
• Introduction to “The City on the Edge of Forever”, (is) Six Science Fiction Plays ed. Roger Elwood, Washington Square Press, 1976
• Love Ain’t Nothing but Sex Misspelled (var. 1), (co) Pyramid (pb), February 1976
• Having an Affair with a Troll, (in) Love Ain’t Nothing but Sex Misspelled (var. 1), Pyramid, 1976
• I Curse the Lesson and Bless the Knowledge, (ss) Love Ain’t Nothing but Sex Misspelled (var. 1), Pyramid, 1976
• [note], (lt) Science Fiction Review #16, February 1976
• The Wine Has Been Left Open Too Long and the Memory Has Gone Flat, (ss) Universe 6 ed. Terry Carr, Doubleday, 1976
• Seeing, (nv) Andromeda 1 ed. Peter Weston, Orbit, 1976
• Killing Bernstein, (ss) Mystery Monthly June 1976
• Strange Wine, (ss) Amazing Science Fiction Stories June 1976
• Mom, (nv) Silver Foxes August 1976
• The Death of My Mother, Serita R. Ellison, (ar) Saint Louis Literary Supplement October 11 1976
• A Is for Atlantean, (vi) The Magazine of Fantasy and Science Fiction October 1976
• B Is for Breathdeath, (vi) The Magazine of Fantasy and Science Fiction October 1976
• C Is for Cushio, (vi) The Magazine of Fantasy and Science Fiction October 1976
• D Is for Dikh, (vi) The Magazine of Fantasy and Science Fiction October 1976
• E Is for Elevator People, (vi) The Magazine of Fantasy and Science Fiction October 1976
• F Is for Flenser, (vi) The Magazine of Fantasy and Science Fiction October 1976
• G Is for Golem, (vi) The Magazine of Fantasy and Science Fiction October 1976
• H Is for Hamadryad, (vi) The Magazine of Fantasy and Science Fiction October 1976
• I Is for Ice-Crawler, (vi) The Magazine of Fantasy and Science Fiction October 1976
• J Is for Jabberwock, (vi) The Magazine of Fantasy and Science Fiction October 1976
• K Is for Kenghis Khan, (vi) The Magazine of Fantasy and Science Fiction October 1976
• L Is for Loup-Garou, (vi) The Magazine of Fantasy and Science Fiction October 1976
• M Is for Muu-Muu, (vi) The Magazine of Fantasy and Science Fiction October 1976
• Nice Guys Finish Somewhere in the Middle, (in) The Light at the End of the Universe by Terry Carr, Pyramid, 1976
• N Is for Nemotropin, (vi) The Magazine of Fantasy and Science Fiction October 1976
• A Note on How This Story Came to Be Written, (as) The Magazine of Fantasy and Science Fiction October 1976
• O Is for Ouroboros, (vi) The Magazine of Fantasy and Science Fiction October 1976
• P Is for Poltergeist, (vi) The Magazine of Fantasy and Science Fiction October 1976
• Q Is for Quetzalcoatl, (vi) The Magazine of Fantasy and Science Fiction October 1976
• R Is for Roq, (vi) The Magazine of Fantasy and Science Fiction October 1976
• S Is for Solifidian the Sorcerer, (vi) The Magazine of Fantasy and Science Fiction October 1976
• T Is for Troglodyte, (vi) The Magazine of Fantasy and Science Fiction October 1976
• U Is for Uphir, (vi) The Magazine of Fantasy and Science Fiction October 1976
• V Is for Vorwalaka, (vi) The Magazine of Fantasy and Science Fiction October 1976
• W Is for Wand of Jacob, (vi) The Magazine of Fantasy and Science Fiction October 1976
• X Is for Xaphan, (vi) The Magazine of Fantasy and Science Fiction October 1976
• Y Is for Yggdrasil, (vi) The Magazine of Fantasy and Science Fiction October 1976
• Z Is for Zombie, (vi) The Magazine of Fantasy and Science Fiction October 1976
• Serita Rosenthal Ellison: A Eulogy, (ob) Saint Louis Literary Supplement November 1976
• The Beast That Shouted Love at the Heart of the World (var. 1), (co) Millington (hc), 1976
• Do You Have a Restless Urge to Write? (with Edward Bryant & James E. Sutherland), (ar) The SFWA Handbook ed. Mildred Downey Broxon, SFWA, 1976
• Exorcising Texas, (in) Lone Star Universe ed. Geo. W. Proctor & Steven Utley, Heidelberg, 1976
• A Letter to an Anthologist, (ar) The SFWA Handbook ed. Mildred Downey Broxon, SFWA, 1976
• My Mother, (ar) Saint Louis Literary Supplement 1976
• Phoenix Without Ashes, (pl) Faster Than Light ed. Jack M. Dann & George Zebrowski, Harper & Row, 1976
• With the Eyes of a Demon: Seeing the Fantastic as a Video Image, (ar) The Craft of Science Fiction ed. Reginald Bretnor, Harper & Row, 1976
• Doctor D’arqueAngel, (ss) Viva January 1977
• A Fineness of 0.995, (in) Involution Ocean by Bruce Sterling, Jove, 1977
• Introduction to Glowworm, (is) Unearth Winter 1977
• Emissary from Hamelin, (ss) 2076: The American Tricentennial ed. Edward Bryant, Pyramid, 1977
• Hitler Painted Roses, (ss) Penthouse (US) April 1977
• Introduction to “Silent in Gehenna”, (is) The Future Now ed. Robert Hoskins, Fawcett Crest, 1977
• Alive and Well and on a Friendless Voyage, (ss) The Magazine of Fantasy and Science Fiction July 1977
• First There Was the Title, (ar) Unearth Summer 1977
• Jeffty Is Five, (nv) The Magazine of Fantasy and Science Fiction July 1977
• Working with the Little People, (ss) The Magazine of Fantasy and Science Fiction July 1977
• You Don’t Know Me, I Don’t Know You, (ar) The Magazine of Fantasy and Science Fiction July 1977
• Harlan Ellison’s Watching: 2nd Installment: Luke Skywalker Is a Nerd and Darth Vader Sucks Runny Eggs, (ar) Los Angeles Magazine August 1977
• How’s the Night Life on Cissalda?, (ss) Chrysalis ed. Roy Torgeson, Zebra, 1977
• Eggsucker [Vic & Blood], (nv) Ariel, The Book of Fantasy v2, 1977
• Shoppe Keeper, (ss) The Arts and Beyond ed. Thomas F. Monteleone, Doubleday, 1977
• Telltale Tics and Tremors, (ar) Unearth Fall 1977
• The City on the Edge of Forever, (pi) Bantam (pb), November 1977
• Harlan Ellison’s Watching: 1st Installment, (mr) Cosmos Science Fiction and Fantasy Magazine November 1977
• The Other Eye of Polyphemus, (ss) Cosmos Science Fiction and Fantasy Magazine November 1977
• [response to Alan R. Bechtold], (ms) Science Fiction Review #23, November 1977
• A Statement of Ethical Position by the Worldcon Guest of Honor, (ms) Locus December 1977
• Voe Doe Dee Oh Doe, (ar) 1977 World Science Fiction Convention Programme Book, 1977
• Django, (ss) Galileo #6, 1978
• How Do We Get Into This Mess?, (ar) Unearth Winter 1978
• How I Survived the Great Videotape Matchmaker, (ar) Los Angeles Magazine February 1978
• Opium, (ss) Shayol #2, February 1978
• An Open Letter to Charles Sheffield, (lt) Thrust #10, Spring 1978
• Along the Scenic Route, (cs) Ariel, The Book of Fantasy v3, 1978; adapted by Al Williamson
• How You Stupidly Blew Fifteen Million Dollars a Week, Avoided Having an Adenoid-Shaped Swimming Pool in Your Back Yard, Missed the Opportunity to Have a Mutually Destructive Love Affair with Clint Eastwood and/or Raquel Welch, and Otherwise Pissed Me Off: Specially Expanded and Corrected from the Original Transcript, (ar) Algol Spring 1978
• The Whimper of Whipped Dogs: 3 Films Variations, (ar) Algol Spring 1978
• Strange Wine, (co) Harper & Row (hc), June 1978
• Introduction to “Croatoan”, (is) Strange Wine, Harper & Row, 1978
• Introduction to “Emissary from Hamelin”, (is) Strange Wine, Harper & Row, 1978
• Introduction to “Hitler Painted Roses”, (is) Strange Wine, Harper & Row, 1978
• Introduction to “In Fear of K”, (is) Strange Wine, Harper & Row, 1978
• Introduction to “Killing Bernstein”, (is) Strange Wine, Harper & Row, 1978
• Introduction to “Lonely Women Are the Vessels of Time”, (is) Strange Wine, Harper & Row, 1978
• Introduction to “Mom”, (is) Strange Wine, Harper & Row, 1978
(continued)